United States -- Social life and customs -- 19th century -- Fiction
Preciosa wore her green velvet toque, and let her chestnut hair stray and
ramble whithersoever it would, and sat in Gowan's best high-backed
mahogany chair with the brass rosettes, and tried to view with kindly
indulgence his flimsy knick-knacks and shabby hangings (they came nowhere
near Dill's) on account of her interest in their supposed proprietor. Nor
did she find in her painter any of Dill's soft suavity. Prochnow was
direct and downright almost to brusqueness, seeming to see no need of
such graduated preliminaries as even O'Grady found place and reason for.
He admired her, and admired her extremely, as she perceived at once; but
he offered none of the appropriate deferences that she had received on
occasion from obscure young men of less than modest fortune. He was
intent, he was earnest, he was even a bit peremptory; but she felt
perfectly certain that he was not treating her as a subject and a subject
merely. His black eyes looked at her with a sort of sharp severity across
the leg of the easel, and his rasping crayon promptly scratched down his
impressions upon the promising blank of his canvas. Preciosa was slightly
puzzled, but on the whole pleased. She knew she was worth looking at, and
felt herself fit to stand the keenest scrutiny. She leaned back easily in
her chair. Let time attend to the rest.
"Doesn't she _compose_!" said Little O'Grady in a poignant whisper to
Elizabeth Gibbons, as he thrust out his arms akimbo and squinted
learnedly at Preciosa through his fingers. "And hasn't the lad got
_line_!" he presently added in a rapturous undertone, as the black and
white tracing began to take shape. Prochnow was drawing with immense
freedom, decision, confidence; every stroke told, and told the first
time. "He knows how! He knows _how_!" moaned Little O'Grady, locking his
hands and forearms in a strange twist and rocking to and fro with
emotion. "He's got the wrist!--the _wrist_!" he exclaimed further,
liberating his hands and fanning the air with long pendulous fingers.
"There, he's caught her already!" he cried, leaning forward,--"inside of
five minutes. Not a line more, Ignace; not a line more!"
Prochnow turned on him with a grim tight smile--a smile that slightly
dilated the nostrils of his good firm nose and shifted in ever so small a
degree the smutch of black beneath that was slowly advancing to the
status of a moustache. It was an acknowledgment from one who _could_ to
one who _knew_. "_Ah, si jeunesse_...!" ejaculates the poet; but here
_jeunesse_, by a doubling of forces, both _pouvait_ and _savait_.
Then Prochnow turned the canvas itself round toward Preciosa. "Does
Mademoiselle recognise herself?"
"It's you, Preciosa, to the life," said the daughter of Roscoe Orlando
Gibbons.
Public-domain text, read in full here on John Shaqi.
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