United States -- Social life and customs -- 19th century -- Fiction
"Oh, Ig!" cried Little O'Grady, much moved, "you're the king-pin sure.
People _shall_ know you; people _must_ know you!" He faced about toward
Preciosa. "Ah, my fair young thing, he's got you dead. Why, Daff himself
couldn't have reached this in an hour!"
Preciosa was like most of the rest of us--inclined to take good
workmanship for granted; where there was nothing to criticise there was
nothing to take hold of. But the words and actions of Little O'Grady--he
was now hopping about on one leg, holding the other in his hand--made the
matter perfectly certain. Her painter had done a notable thing, and done
it easily, promptly, without revisions, without fumblings. His own face
and attitude expressed his consciousness of this. "Nobody could have done
it better," she read in his eyes; "and you, you blooming young creature,
have been the inspiration." He had called her "Mademoiselle" too; could
anything be more charming? Nothing save his accent itself,--a trick of
the tongue, an intonation ever so slightly alien that addressed her ear
just as some perfume's rich but smothered pungency might address the
nose. Yes, the first stage in her apotheosis was an undoubted success.
All that was needed now was her translation from black and white to
colour. Well, the chariot was ready to take her up still higher.
"I have found you very easily, Mademoiselle,"--Preciosa felt a sugary
little shudder at this repetition of the word,--"I have found you very
easily," said Prochnow, casting about for his palette and brushes; "and
now I may just as easily lose you."
"Oh no," said Elizabeth Gibbons, with great earnestness.
"Never fear," said Little O'Grady confidently. "Though the likeness
generally gets submerged at first, it comes to the surface again in the
end."
"Don't risk it," continued Elizabeth Gibbons.
"What has been done once," said Prochnow, motioning with a brush-handle
toward the charcoal sketch, "can be done once more."
Prochnow handled his brushes with the same firmness and confidence that
he had shown in handling his crayon. The "resemblance" soon sank beneath
the waves, as prophesied, but Little O'Grady continued to ride on the
topmost crest with unabated enthusiasm. "Whee! hasn't he got the nerve!
hasn't he got the stroke! Doesn't he just more than slather it on!" he
cried. "Catch the shadows in that green velvet! R-r-rip!--and the high
light on that tan jacket!" he proceeded in a smothered shout, as he
nudged Elizabeth Gibbons in the side. Elizabeth had never been nudged
before, and moved farther down the settle, after giving him a _look_.
Little O'Grady, who never knew when he was squelched--he never, as a
fact, had been squelched by anybody whomsoever--moved along after her.
"Oh, my! Can't he _paint_! Can't he more than lay it _on_! Did you get
that last one, now?"
Public-domain text, read in full here on John Shaqi.
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