At last a softer aspect spread itself over the glowing sky and earth. The nights grew vocal with the invisible chorus of insect life; there was a mellow splendour in the moonlight, which touched the distant hills and wide-spreading waters with a pathetic prophecy of change. And now, ripe, serene, and rich with the accumulated beauty of the summer, the autumn flowers appeared. Their movement was like the stately dances of olden times; youth and its overflow were gone forever; but in the hour of maturity there remained a noble beauty, which touched all imaginations and communicated to all visible things a splendour of which the most radiant hours of early summer had been only faintly prophetic. In the calm of these golden days the autumn flowers reigned with a more than regal state, and when the first cold breath of winter touched them, they fell from their great estate silently and royally as if their fate were matched to their rank. And now the fields were bare once more. From such a dream as this I often awake joyfully to find the drama still in its first act, and to feel still before me the ever-deepening interest and ever-widening beauty of the miracle play to which Nature annually bids us welcome. Across this noble playground, with its sweep of landscape and its arch of sky, I often wander with no companions but the flowers, and with no desire for other fellowship. Here, as in more secluded and quiet places. Nature confides to those who love her some deep and precious truths never to be put into words, but ever after to rise at times over the horizon of thought like vagrant ships that come and go against the distant sea line, or like clouds that pass along the remotest circle of the sky as it sleeps upon the hills. The essence of play is the unconscious overflow of life that seeks escape in perfect self-forgetfulness. There is no effort in it, no whip of the will driving the unwilling energies to an activity from which they shrink; one plays as the bird sings and the brook runs and the sun shines--not with conscious purpose, but from the simple overflow. In this sense Nature never works, she is always at play. In perfect unconsciousness, without friction or effort, her mightiest movements are made and her sublimest tasks accomplished. Throughout the whole range of her activity one never comes upon any trace of effort, any sign of weariness; one is always impressed--as Ruskin said long ago of works of genius--that he is standing in the presence, not of a great effort, but of a great power; that what has been done is only a single manifestation of the play of an inexhaustible force. There is somewhere in the universe an infinite fountain of life and beauty which overflows and floods all worlds with divine energy and loveliness. When the tide recedes it pauses but a moment, and then the music of its returning waves is heard along all shores, and its shining edges move