Under the Trees and ElsewhereMabie, Hamilton Wright
History
Under the Trees and Elsewhere
Mabie, Hamilton Wright
Essays; Natural history -- Outdoor books
told to look about them. The sublime miracle play is yearly performed
in their sight, and they only hear it said that it is hot or cold, that
the day is fair or dark!
And now there come sudden insights into still larger and more awful
truths; a sense of wonder and awe makes the night solemn with mystery.
Who does not recall some starlit night which suddenly, alone on a
country road, perhaps, seemed to flash its splendour into his very soul
and lift all life for a moment to a sublime height? The trees stood
silent down the long road, no other footstep echoed far or near, one
was alone with Nature and at one with her; suspecting no strange
nearness of her presence, no sudden revelation of her inner self, and
yet in the very mood in which these were both possible and natural.
The boy of Wordsworth's imagination would stand beneath the trees "when
the earliest stars began to move along the edges of the hills," and,
with fingers interwoven, blow mimic hootings to the owls:
And they would shout
Across the watery vale, and shout again,
Responsive to his call--with quivering peals,
And long halloos, and screams, and echoes loud,
Redoubled and redoubled; concourse wild
Of mirth and jocund din. And when it chanced
That pauses of deep silence mock'd his skill,
Then, sometimes, in that silence, while he hung
Listening, a gentle shock of mild surprise
Has carried far into his heart the voice
Of mountain torrents; or the visible scene
Would enter unawares into his mind
With all its solemn imagery, its rocks,
Its woods, and that uncertain heaven, received
Into the bosom of the steady lake.
It is in such moods as this, when all things are forgotten, and heart
and mind are open to every sight and sound, that Nature comes to the
soul with some deep, sweet message of her inner being, and with
invisible hand lifts the curtain of mystery for one hushed and fleeting
moment.
Public-domain text, read in full here on John Shaqi.
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