Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
A drowsiness more heavy and insistent than any he had ever known
began to assail him. It billowed into his brain, wave after wave. It
assailed him with an irresistible, physical assault. He fought against
it despairingly and hopelessly, knowing that he would be vanquished.
Once, twice, sword in hand, as though the long blade could help him in
the fight, he staggered up and down the chapel. Then, with a smothered
groan, he sank into the chair, the sword slipping from his grasp. He
felt as if deep waters were closing over him. There was a sound like
dim and distant drums in his ears, a sensation of sinking, lower, ever
lower,--then utter oblivion.
And now silence reigned, silence more intense than his mind had ever
known.
The red lamp burned before the Host. The lamp in the centre of the
chapel threw a dim radiance upon the bowed form of Tristan, whose sword
crossed the mosaics of the floor.
Silence there was in the whole circuit of the Lateran.
Even the Blessed Father, prisoner in his own chamber, was asleep. The
domestic prelates, the whole vast ecclesiastical court were wrapt in
deep repose.
In the chapel of St. Luke the silence was broken by the deep breathing
of Tristan. It was not the breathing of a man in healthy sleep. It
was a long-drawn catching at the breath, then once more a difficult
inhalation. The men-at-arms outside in the corridor heard nothing of
it. The sound was confined to the interior alone.
The ceiling of the chapel was painted, and the various panels were
divided by gilded oak beadings.
Almost in the centre, directly above where Tristan reposed in leaden
slumber, was a panel some two feet square, which represented in faint
and faded colors the martyrdom of St. Sebastian.
Suddenly, without a sound, the panel parted.
If the sleeper had been awake he would have seen almost at his feet a
swaying ladder of silk rope, which for a moment or two hissed back and
forth over the tesselated floor.
Now the dark square in the painted ceiling became faintly illumined.
In its dim oblong a formless shape centred itself. The faint hiss from
the end of the silken rope ladder recommenced and down the ladder from
the roof of the chapel descended a formless spectre, with incredible
swiftness, with incredible silence.
The spider had dropped from the centre of its web. It had chosen the
time well. It was upon its business.
The trembling of the rope ladder ceased. Without a sound the black
figure emerged into the pale light thrown by the central lamp. The
figure was horrible. It was robed in deepest black, and as it made a
quick bird-like movement of the head, the face, plucked as from some
deadly nightmare, was so awful that it seemed well that Tristan was
unconscious.
The High Priest of Satan stood in the chapel of the Lateran. His quick,
dexterous fingers ran over Tristan's sleeping form. Then he nodded
approvingly.
Public-domain text, read in full here on John Shaqi.
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