Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
There was a soft pattering of steps and now the black form passed out
of the circle of light and emerged into the red light of the lamp,
which burned before the altar.
Above, upon the embroidered frontal, were the curtains of white silk
edged with gold--the gates of the tabernacle.
A long, lean arm, hardly more than a bone, drew apart the curtains.
Mingling with the heavy breathing of the sleeping man there was a sharp
sound, most startling in the intense silence.
It was a bestial snarl of satisfaction. It was followed by abominable
chirpings of triumph, cold, inhuman, but real.
Tristan slept on. The men-at-arms kept their faithful watch. In the
whole of the Lateran Palace no one knew that the High Priest of Satan
was prowling through the precincts and had seized upon his awful prey.
He thrust the Holy Host into a silver box, and placed it next to his
bosom. Then he drew a wafer of the exact size and shape of the stolen
Host from the pocket of his robe. Gliding over to Tristan he thrust
this unconsecrated wafer into his doublet.
Then the black bat-like thing mounted to the ceiling. The lemon-colored
light reappeared for a moment. In its glare the dark phantom looked
terrific, like a fiend from Hell. The rope ladder moved silently
upwards, and the painted panel with the arrow-pierced Sebastian dropped
soundlessly into its place.
The red lamp burnt in front of the tabernacle. But the chapel was empty
now.
At dawn the unexpected happened.
The guards, expecting to be relieved, found themselves face to face
with a special commission, come to visit the Lateran. It consisted
of the Cardinal-Archbishop of Ravenna, the Cardinal of Orvieto, the
Prefect of the Camera and Basil the Grand Chamberlain.
After having made the rounds they at last arrived before the chapel of
St. Luke. They found the two men-at-arms stationed at the door, alert
at their post. The men were exhausted; their faces appeared grey and
drawn in the morning light, but they reported that no one had passed
into the chapel, nor had they seen anything of Tristan since midnight,
when he had questioned them.
The doors of the chapel were locked. Tristan held the keys. Repeated
knocks elicited no response.
The Archbishop of Ravenna looked anxiously at the Prefect of the Camera.
"I do not like this, Messer Salviati," he said in a low voice. "I fear
there is something wrong here."
"Beat upon the door more loudly," the Prefect turned to one of the
halberdiers, and the man struck the solid oak with the staff of his
axe, till the whole corridor, filled with the ghostly advance light of
dawn, rang and echoed with the noise.
The Prefect of the Camera turned to the Archbishop.
"It would seem the Capitano has fallen asleep. That is not a thing he
ought to have done--but as the chapel seems inviolate we need hardly
remain longer."
And he looked inquiringly at the Grand Chamberlain.
The latter shook his head dubiously.
Public-domain text, read in full here on John Shaqi.
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