Under the Witches' Moon: A Romantic Tale of Mediaeval Rome — John Shaqi
Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
Tristan himself did not escape the merry intruders. He was immediately
beset by importunate revellers, and not being able to make himself
understood, they questioned and lured him on, imploring his good
offices with the Enemy of Mankind.
Satyrs, fauns and other sylvan creatures accosted him, diverting
their antics, when they found themselves but ill repaid for their
efforts, and leaving the solitary stranger pondering the expediency of
remaining, or wending his steps toward the Inn of the Golden Shield,
where he had taken lodging upon his arrival.
These doubts were to be speedily dispelled by a spectacle which
attracted the crowds that thronged the Piazza, causing them to give
way before a splendid procession that had entered the Navona from the
region of Mount Aventine.
Down the Navona came a train of chariots, preceded by a throng of
persons, clad in rich and fantastic Oriental costumes, leaping, dancing
and making the air resound with tambourines, bells, cymbals and gongs.
They kept up an incessant jingle, which sounded weirdly above the
droning chant of distant processions of pilgrims, hermits and monks,
traversing the city from sanctuary to sanctuary.
The occupants of these chariots consisted of a number of young women in
the flower of youth and beauty, whose scant apparel left little to the
imagination either as regarded their person or the trade they plied.
The charioteers were youths, scarcely arrived at the age of puberty,
but skilled in their profession in the highest degree.
The first chariot, drawn by two milk-white steeds of the Berber breed,
was inlaid with mother-of-pearl, with gilded spokes and trappings that
glistened in the light of a thousand colored lanterns and torches, like
a vehicle from fairyland. The reins were in the hands of a youth hardly
over sixteen years of age, garbed in a snow white tunic, but the skill
with which he drove the shell-shaped car through the surging crowds
argued for uncommon dexterity.
Tristan, from his station by the fountain, was enabled to take in
every detail of the strange pageant which moved swiftly towards him, a
glittering, fantastic procession, as if drawn out of dreamland; and so
enthralled were his senses that he did not note the terrible silence
which had suddenly fallen upon the multitude.
As a half-slumbering man may note a sudden brilliant gleam of sunshine
flashing on the walls of his chamber, Tristan gazed in confused
bewilderment, when suddenly his stupefied senses were aroused to hot
life and pulsation, as he fixed his straining gaze on the supreme fair
form of the woman in the first car, standing erect like a queen,
surveying her subjects.
In the silence of a great multitude there is always something ominous.
But Tristan noted it not. Indeed he was deaf and blind to everything,
save the apparition in the shell-shaped car, as it bounded lightly over
the unevenly laid tufa of the Navona.
Public-domain text, read in full here on John Shaqi.
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