crowds of seals which had been caught while still alive by the freezing
of the waters in which they remain imprisoned. Their carefully prepared
skins have furnished us with warm clothing. Nothing is more curious than
thus suddenly to catch sight of, as it were through a mysterious glass
case, one of these huge marine animals, sometimes a whale, a shark or a
devil fish, and that star-like flora which carpets the seas. Though
appearing crystallized in its transparent prison, in its Elysium of pure
brine, it has lost none of its secret charm, that was quite unknown to
our ancestors. Idealised by its very lack of motion, immortalised by its
death, it dimly shines here and there with gleams of pearl and mother of
pearl in the twilight of the depths below, to the right, the left,
beneath the feet or above the head of the solitary skater who roams with
his lamp on his forehead in pursuit of the unknown. There is always
something new to look forward to from these miraculous soundings, so
different from the soundings of former time. Never a tourist has come
home without having discovered some interesting object--a piece of
wreckage, the steeple of some sunken town, a human skeleton to enrich
our prehistoric museums, sometimes a shoal of sardines or cod. These
splendid and timely reserves come in very handy for replenishing our
bill of fare. But the chief fascination of such adventurous exploration
is the sense of the boundless and the everlasting, of the unfathomable
and the changeless by which one is arrested and overwhelmed in these
bottomless depths. The savour of this silence and solitude, of this
profound peace, the sequel to so many tempests, of this almost starless
gloaming and twilight with its fleeting gleams, reposes the eye after
our underground illuminations. I will not speak of the surprises which
the hand of man has lavished there. At the moment when one least expects
it one sees the submarine tunnel along which one is gliding, enlarged
beyond all measure and transformed into a vast hall in which the fancy
of our sculptors has found full play, a temple of vast dimensions with
transparent pillars, with walls of enthralling beauty that the eye in
ecstasy attempts to fathom. That is often the trysting place of friends
and lovers, and the excursion begun in dreamy loneliness is continued in
loving companionship.
But we have wandered long enough in these halls of mysteries. Let us
return to our cities. One would look, by the bye, in vain for a city of
lawyers there, or even, for a court of justice. There is no more arable
land and therefore no more lawsuits about property or ancient rights.
There are no more walls, and therefore no more lawsuits about party
walls. As for felonies and misdemeanours, we do not know exactly why,
but it is an obvious fact that with the spread of the cult of art they
have disappeared as by enchantment, while formerly the progress of
industrial life had tripled their numbers in half a century.
Public-domain text, read in full here on John Shaqi.
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