But the foregoing is insufficient to explain the unparalleled power and persistence of our love which time intensifies more than it wears out, and consummates as it consumes it. Love, we now at last know, is like air, essential to life; we must look to it for health and not for mere nourishment. It is as the sun once was, we must use it to give us light, not allow it to dazzle us. It resembles that imposing temple that the fervour of our fathers raised in its honour when they worshipped it, unwittingly, at the Paris Opera-house. The most beautiful part of it is the staircase--when one mounts it. We have therefore attempted to make the staircase monopolise the whole edifice without leaving the tiniest room for the hall. The wise man, an ancient writer has said, is to the woman what the asymptote is to the curve, it draws ever nearer but never touches. It was a half crazy fellow named Rousseau who uttered this splendid aphorism and our society flatters itself that it has practised it far better than he. All the same the ideal thus outlined, we are compelled to confess, is rarely attained in all its entity. This degree of perfection is reserved for the most saintly souls, the ascetics, men and women, who wander together, two and two, in the most marvellous cloisters, in the most Raphaelesque cells in the city of painters, in a sort of artificial dusk produced by a coloured twilight in the midst of a throng of similar couples, and on the banks of a stream so to say of audacious and splendid revelations of the nude. They pass their life in feasting their eyes on these waves of beauty, the living bank of which is their own passion. Together they climb the fiery steps of the heavenly staircase to the very summit on which they halt. Then supremely inspired they set to work and produce masterpieces. Heroic lovers are they whose whole pleasure in love consists in the sublime joy of feeling their love growing within them, blissful because it is shared, inspiring because it is chaste.