"But now they desire a better country, that is, a heavenly: wherefore God is not ashamed to be called their God: for he hath prepared for them a city." The preacher began his discourse in that deeply pathetic tone accompanied with prolonged mournful cadences, once so largely in vogue among a certain class of Negro preachers. This tone, so full of the note of sorrow, found responsive chords in the bosoms of his hearers and a bond of fellowship for the occasion was at once established between him and them. His every utterance was saluted with an answering groan or sympathetic manifestation of some kind, evoked as much by the tone of voice as by the sentiment expressed. The responses of the people heightened the emotions of the preacher. Thus the preacher and the people acting and reacting upon each other, produced a highly emotional state of affairs. The burden of the preacher's discourse was an account of the wanderings of Abraham and the subsequent sorrowful career of his descendants in the land of Egypt. With a constantly swelling tide of emotions the hearers followed the dolorous account, which was made the more touching by instituting comparisons, the purport of which was to show that the Negroes were having similar experiences. In drawing to a close, he emphasized the thought that the God that prepared a goodly land for the Jews would take care of the Negroes. He urged them to leave the question of their earthly welfare in the hands of God and center their thoughts on Heaven. He entered into a dramatic description of the Christian's getting ready to wade across the Jordan of death. Then came a vivid word painting of the scenes beyond--the green fields of Eden; the pearly gates standing ajar; the gold paved streets; the jasper walls; the tree of life; the long white robes; the silver slippers; the starry crown; the palms of victory; the harps of gold. The Christian was to go into the city, he set forth, and sit upon a throne singing God's praise, looking out of the window of heaven while the sun was covered with sackcloth and ashes and the moon was dripping away in blood. His very last remarks were made sitting down, in representation of the final rest of the Christian in the midst of the stirring scenes depicted. The tumultuous scene which accompanied and followed this highly dramatic peroration beggars description. Women screamed and shouted and fainted, while men wept like babes and clambered from seat to seat wild with emotion. Such was the character of the religious preparation that the Negroes had for the grave responsibilities of life in the city. While these things were transpiring at the church, a frightful tragedy was being enacted elsewhere. A short outline of the circumstances leading up thereto is now necessary.