In an adjoining room, still other white neighbors are recounting in undertones the many noble deeds performed by Maurice Dalton. Huddled together under the trees in the yard to the back of the house are the Negroes of this and other plantations, who, with woeful looks, peer anxiously in the direction of the "big house," eager for news as to how the battle was going. The vitality of Maurice Dalton was surprisingly great, and he grappled with this "last of foes" far longer than had been deemed possible. Probably it was his unfulfilled promise to Morlene that caused his spirit to linger here so long after it had received the final summons. Morning wore away into the afternoon. The air grew humid and signs of coming rain multiplied; yet the Negroes stood their ground, determined to be as near as possible to their beloved landlord in the supreme moment. Dark clouds which, ascending from the horizon, had been curtaining the skies, now passed beneath the sun, intercepted his kindly rays and journeyed onward until not a patch of blue was anywhere to be seen. Excitedly the lightning displayed his fierce glance in the disturbed heavens, first here and then there, and the occasional mutterings of the thunders were heard. The Negroes at last mustered sufficient courage to make the attempt to have Maurice Dalton to die, if die he must, in what they regarded as the ideal manner. Any Negro that could die "happy," die in the midst of a frenzy of joyous emotions, was deemed by the mass of Negroes as assured of an entrance into heaven. In order to produce this condition of ecstasy, they would gather about the bedside of the dying and sing such songs as were calculated to deeply stir the emotions of the passing one. They now concluded to use their singing upon Maurice Dalton. Leaving the shelter of the trees they all drew near to the house and stood under a window of the room in which lay the dying man. In plaintive tones, low, timorous and wavering at first, then louder and bolder, in sweetest melody, they sang: "Swing low, sweet chariot, Cum fur ter carry me home; Swing low, sweet chariot, Cum fur to carry me home." Ofttimes as a boy Maurice Dalton had stood on the outer edge of Negro open air camp meetings and had heard, with deep emotion, this chant; and as the music now comes floating into his room his paroxysms cease, a smile plays upon his face which, though wasted, is handsome still. Suddenly he sat bolt upright in his bed. "Hush!" said he, feebly waving his hand, as he turned his ear in an attitude of listening. "Did they say the chariot had come?" he enquired of the weeping Aunt Catherine. Casting a faint look of recognition on those who stood near him, he fell back upon the bosom of Aunt Catherine--a corpse.