The ivy alone grows on over a mighty wall, and seems to care not. The ivy alone seems not to mourn, but to have added the last four years to its growth as though they were ordinary years. That corner of the wall alone whispers not of disaster, it only seems to tell of the passing of years, which makes the ivy strong, and for which in peace as in war there is no cure. All the rest speaks of war, of war that comes to gardens, without banners or trumpets or splendour, and roots up everything, and turns round and smashes the house, and leaves it all desolate, and forgets and goes away. And when the histories of the war are written, attacks and counter-attacks and the doom of Emperors, who will remember that garden? Saddest of all, as it seemed to me watching the garden paths, were spiders’ webs that had been spun across them, so grey and stout and strong, fastened from weed to weed, with the spiders in their midst sitting in obvious ownership. You knew then as you looked at those webs across all the paths in the garden that any that you might fancy walking the small paths still, were but grey ghosts gone from thence, no more than dreams, hopes and imaginings, something altogether weaker than spiders webs. And the old wall of the garden that divides it from its neighbour, of solid stone and brick, over fifteen feet high, it is that mighty old wall that held the romance of the garden. I do not tell the tale of that garden of Arras, for that is conjecture, and I only tell what I saw, in order that someone perhaps in some far country may know what happened in thousands and thousands of gardens because an Emperor sighed, and longed for the splendour of war. The tale is but conjecture, yet all the romance is there; for picture a wall over fifteen feet high built as they built long ago, standing for all those ages between two gardens. For would not the temptation arise to peer over the wall if a young man heard, perhaps songs, one evening the other side? And at first he would have some pretext and afterwards none at all, and the pretext would vary wonderfully little with the generations, while the ivy went on growing thicker and thicker. The thought might come of climbing the wall altogether and down the other side, and it might seem too daring and be utterly put away. And then one day, some wonderful summer evening, the west all red and a new moon in the sky, far voices heard clearly and white mists rising, one wonderful summer day, back would come that thought to climb the great old wall and go down the other side. Why not go in next door from the street, you might say. That would be different, that would be calling; that would mean ceremony, black hats, and awkward new gloves, constrained talk and little scope for romance. It would all be the fault of the wall.