Stephen, the hero of A Portrait of the Artist as a Young Man, tells
his student friend about his father. These were his attributes: "A
medical student, an oarsman, a tenor, an amateur actor, a shouting
politician, a small landlord, a small investor, a drinker, a good
fellow, a story-teller, somebody's secretary, something in a
distillery, a tax-gatherer, a bankrupt, at present a praiser of his
own past." He could talk the devil out of the liver-wing of a
turkey--as they say up Cork way. The portrait is well-nigh perfect.
The wild goose over again, and ever on the wing. Stephen became
violently pious after a retreat at the Jesuits. From the extreme of
riotous living he was transformed into a militant Catholic. The
reverend fathers had hopes of him. He was an excellent Latinist, but
his mind was too speculative; later it proved his spiritual undoing.
To analyse the sensibility of a soul mounting on flaming pinions to
God is easier than to describe the modulations of a moral
recidivist. Stephen fell away from his faith, though he did not
again sink into the slough of Dublin low life. Cranly, the student,
saw through the hole in his sceptical millstone. "It is a curious
thing, do you know," Cranly said dispassionately, "how your mind is
supersaturated with the religion in which you say you disbelieve." A
profound remark. Once a Roman Catholic always a Roman Catholic,
particularly if you are born in Ireland.
Mr. Joyce holds the scales evenly. He neither abuses nor praises. He
is evidently out of key with religious life; yet he speaks of the
Jesuits with affection and admiration. The sermons preached by them
during the retreat are models. They are printed in full--strange
material for a novel. And he can show us the black hatred caused by
the clash of political and religious opinions. There is a scene of
this sort in the house of Stephen's parents that simply blazes with
verity. At a Christmas dinner the argument between Dante (a certain
Mrs. Riordan) and Mr. Casey spoils the affair. Stephen's father
carves the turkey and tries to stop the mouths of the angry man and
woman with food. The mother implores. Stephen stolidly gobbles,
watching the row, which culminates with Mr. Casey losing his
temper--he has had several tumblers of mountain dew and is a little
"how come you so?" He bursts forth: "No God in Ireland! We have had
too much God in Ireland! Away with God!" "Blasphemer! Devil!"
screamed Dante, starting to her feet and almost spitting in his
face. "Devil out of hell! We won! We crushed him to death! Fiend!"
The door slammed behind her. Mr. Casey suddenly bowed his head on
his hands with a sob of pain. "Poor Parnell!" he cried loudly. "My
dead King." Naturally the dinner was not a success. Stephen noted
that there were tears in his father's eyes at the mention of
Parnell, but that he seemed debonair enough when the old woman
unpacked her heart of vile words like a drab.
Public-domain text, read in full here on John Shaqi.
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