Unlucky: A Fragment of a Girl's LifeAustin, Caroline
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Unlucky: A Fragment of a Girl's Life
Austin, Caroline
Domestic fiction; England -- Juvenile fiction; Stepdaughters -- Juvenile fiction
To do Mrs. Desmond justice, she scarcely realized the full meaning of
her words. She was not deliberately cruel, but even upon an occasion
such as this she could not forget her creed with regard to young people,
or let slip the opportunity of pointing a moral. Helen heard her, but
said nothing. The girl stood quite still, her hands clasped, her face
white and rigid, and her eyes unnaturally distended. She was trying to
think; trying to take in the awful fact that it was her deed that had
brought this illness upon her father. Was it true, or was she dreaming?
she asked herself as all sorts of curious fancies, fancies quite
distinct from this absorbing sorrow, rushed through her brain, and the
pattern of the wallpaper took fantastic shapes, and the china ornaments
on the chimney-piece stood out with curious distinctness, whilst a small
ivory figure on the dressing-table seemed suddenly to take life and to
force itself upon her attention.
Most people have experienced, at one time or another, the curious power
that inanimate objects acquire over a brain half-paralysed by some
sudden shock. To Helen the sensation was entirely a new one, and her
voice sounded strange and far-away in her own ears when, hearing
Martha's step on the landing outside, she said:
"If my father asks for me will you send for me?"
"Yes," returned Mrs. Desmond more gently. She had been touched, almost
in spite of herself, at the girl's silence, and by the strained look on
her face, and she half-repented of having gone so far.
But the softening came too late, and was lost on Helen, who turned
away, and who did not even see Martha's indignant look when she
discovered that her mistress had been disturbed.
"Go to bed quietly, Helen, and you shall have news of your father in the
morning," called out Mrs. Desmond, still relenting.
Public-domain text, read in full here on John Shaqi.
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