Unto This Last, and Other Essays on Political EconomyRuskin, John
General
Unto This Last, and Other Essays on Political Economy
Ruskin, John
Art; Economics
And it would be strange, if at any great assembly which, while it
dazzled the young and the thoughtless, beguiled the gentler hearts
that beat beneath the embroidery, with a placid sensation of luxurious
benevolence--as if by all that they wore in waywardness of beauty,
comfort had been first given to the distressed, and aid to the
indigent; it would be strange, I say, if, for a moment, the spirits of
Truth and of Terror, which walk invisibly among the masques of the
earth, would lift the dimness from our erring thoughts, and show us
how--inasmuch as the sums exhausted for that magnificence would have
given back the failing breath to many an unsheltered outcast on moor
and street--they who wear it have literally entered into partnership
with Death; and dressed themselves in his spoils. Yes, if the veil
could be lifted not only from your thoughts, but from your human
sight, you would see--the angels do see--on those gay white dresses of
yours, strange dark spots, and crimson patterns that you knew not
of--spots of the inextinguishable red that all the seas cannot wash
away; yes, and among the pleasant flowers that crown your fair heads,
and glow on your wreathed hair, you would see that one weed was always
twisted which no one thought of--the grass that grows on graves.
It was not, however, this last, this clearest and most appalling view
of our subject, that I intended to ask you to take this evening; only
it is impossible to set any part of the matter in its true light,
until we go to the root of it. But the point which it is our special
business to consider is, not whether costliness of dress is contrary
to charity; but whether it is not contrary to mere worldly wisdom:
whether, even supposing we knew that splendour of dress did not cost
suffering or hunger, we might not put the splendour better in other
things than dress. And, supposing our mode of dress were really
graceful or beautiful, this might be a very doubtful question; for I
believe true nobleness of dress to be an important means of education,
as it certainly is a necessity to any nation which wishes to possess
living art, concerned with portraiture of human nature. No good
historical painting ever yet existed, or ever can exist, where the
dresses of the people of the time are not beautiful: and had it not
been for the lovely and fantastic dressing of the 13th to the 16th
centuries, neither French, nor Florentine, nor Venetian art could have
risen to anything like the rank it reached. Still, even then, the best
dressing was never the costliest; and its effect depended much more on
its beautiful and, in early times, modest, arrangement, and on the
simple and lovely masses of its colour, than on gorgeousness of clasp
or embroidery. Whether we can ever return to any of those more perfect
types of form, is questionable; but there can be no question, that all
the money we spend on the forms of dress at present worn, is, so far
as any good purpose is concerned, wholly lost.
Public-domain text, read in full here on John Shaqi.
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