Unveiling a Parallel: A RomanceJones, Alice Ilgenfritz
Science
Unveiling a Parallel: A Romance
Jones, Alice Ilgenfritz
Feminist fiction; Mars (Planet) -- Fiction; Science fiction; Utopian fiction
"O, yes, indeed," said I, taking my cue from this. And I proceeded to
give some character sketches of the grand men and women of Earth whose
lives have been one long, heroic struggle for truth, and to whom a
terrible death has often been the crowning triumph of their faith. I
related to him briefly the history of America from its discovery four
hundred years ago; and told him about the splendid material
prosperity,--the enormous wealth, the extraordinary inventions, the
great population, the unprecedented free-school system, and the
progress in general education and culture,--of a country which had its
birth but yesterday in a deadly struggle for freedom of conscience;
and of our later, crueller war for freedom that was not for ourselves
but for a despised race. I described the prodigious waves of public
and private generosity that have swept millions of money into burned
cities for their rebuilding, and tons of food into famine-stricken
lands for the starving.
I told him of the coming together in fellowship of purpose, of the
great masses, to face a common danger, or to meet a common necessity;
and of the moral and intellectual giants who in outward appearance and
in the seeming of their daily lives are not unlike their fellows, but
to whom all eyes turn for help and strength in the hour of peril. But
I did not at that time undertake any explanation of our religious
creeds, for it somehow seemed to me that these would not count for
much with a people who expressed their theology solely by putting into
practice the things they believed. I had the thought in mind though,
and determined to exploit it later on. As I have said before, the
Master listened with rapt attention, and when I had finished, he
exclaimed,
"I am filled with amazement! a country yet so young, so far advanced
toward Truth!"
He gave himself up to contemplation of the picture I had drawn, and in
the depths of his eyes I seemed to see an inspired prophecy of my
country's future grandeur.
Presently he rose and went to a window, and, with uplifted face,
murmured in accents of the sublimest reverence that have ever touched
my understanding, "O, God, All-Powerful!"
And a wonderful thing happened: the invocation was responded to by a
voice that came to each of our souls as in a flame of fire, "Here am
I." The velocity of worlds is not so swift as was our transition from
the human to the divine.
But it was not an unusual thing, this supreme triumph of the spirit;
it is what these people call "divine worship,"--a service which is
never perfunctory, which is not ruled by time or place. One may
worship alone, or two or three, or a multitude, it matters not to God,
who only asks to be worshiped in spirit and in truth,--be the time
Sabbath or mid-week, the place temple, or field, or closet.
A little later I remarked to the Master,--wishing to have a point
cleared up,--
"You say there are no fictitious values put upon works of art; how do
you mean?"
Public-domain text, read in full here on John Shaqi.
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