Unveiling a Parallel: A RomanceJones, Alice Ilgenfritz
Science
Unveiling a Parallel: A Romance
Jones, Alice Ilgenfritz
Feminist fiction; Mars (Planet) -- Fiction; Science fiction; Utopian fiction
He replied, "Inasmuch as truth is always greater than human
achievement--which at best may only approximate the truth,--the value
of a work of art should be determined by its merit alone, and not by
the artist's reputation, or any other remote influence,--of course I
do not include particular objects consecrated by association or by
time. But suppose a man paints a great picture, for which he recieves
a great price, and thereafter uses the fame he has won as speculating
capital to enrich himself,--I beg the pardon of every artist for
setting up the hideous hypothesis!--But to complete it: the moment a
man does that, he loses his self-respect, which is about as bad as
anything that can happen to him; it is moral suicide. And he has done
a grievous wrong to art by lowering the high standard he himself
helped to raise. But his crime is no greater than that of the
name-worshipers, who, ignorantly, or insolently, set up false
standards and scorn the real test of values. However, these important
matters are not left entirely to individual consciences; artists, and
so-called art-critics, are not the only judges of art. We have no
mysterious sanctuaries for a privileged few; all may enter,--all are
indeed made to enter, not by violence, but by the simple, natural
means employed in all teaching. All will not hold the brush, or the
pen, or the chisel; but from their earliest infancy our children are
carefully taught to recognize the forms of truth in all art; the eye
was made to see, the ear to hear, the mind to understand."
The visit was at an end. When he left us it was as though the sun had
passed under a cloud.
Clytia went out with him, her arm lovingly linked in his; and I turned
to Ariadne. "Tell me," I said, "why is he called Master? Is it a
formal title, or was it bestowed in recognition of the quality of the
man?"
"Both," she answered. "No man receives the title who has not the
'quality.' But it is in one way perfunctory; it is the distinguishing
title of a teacher of the highest rank."
"And what are teachers of the highest rank, presidents of colleges?" I
asked.
"O, no," she replied with a smile, "they are not necessarily teachers
of schools--old and young alike are their pupils. They are those who
have advanced the farthest in all the paths of knowledge, especially
the moral and the spiritual."
"I understand," said I; "they are your priests, ministers,
pastors,--your Doctors of Divinity."
"Perhaps," she returned, doubtfully; our terminology was not always
clear to those people.
"Usually," she went on, "they begin with teaching in the schools,--as
a kind of apprenticeship. But, naturally, they rise; there is that
same quality in them which forces great poets and painters to high
positions in their respective fields."
"Then they rank with geniuses!" I exclaimed, and the mystery of the
man in whose grand company I had spent the past hour was solved.
Public-domain text, read in full here on John Shaqi.
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