Their dances have a much nearer resemblance to those of the
New Zealanders than of the Otaheitians or Friendly Islanders.
They are prefaced with a slow, solemn song, in which all the
party join, moving their legs, and gently striking their
breasts in a manner and with attitudes that are perfectly
easy and graceful; and so far they are the same with the
dances of the Society Islands. When this has lasted about ten
minutes, both the tune and the motions gradually quicken, and
[Page 150] end only by their inability to support the fatigue, which
part of the performance is the exact counterpart of that of
the New Zealanders; and (as it is among them) the person who
uses the most violent action and holds out the longest is
applauded as the best dancer. It is to be observed that in
this dance the women only took part and that the dancing of
the men is nearly of the same kind with what we saw at the
Friendly Islands; and which may, perhaps, with more
propriety, be called the accompaniment of the songs, with
corresponding and graceful motions of the whole body. Yet as
we were spectators of boxing exhibitions of the same kind
with those we were entertained with at the Friendly Islands,
it is probable that they had likewise their grand ceremonious
dances, in which numbers of both sexes assisted.
Their music is also of a ruder kind, having neither flutes
nor reeds, nor instruments of any other sort, that we saw,
except drums of various sizes. But their songs, _which they
sing in parts_, and accompany with a gentle motion of the
arms, in the same manner as the Friendly Islanders, had a
very pleasing effect.
To the above Captain King adds this footnote:
As this circumstance of their _singing in parts_ has been
much doubted by persons eminently skilled in music, and would
be exceedingly curious if it was clearly ascertained, it is
to be lamented that it can not be more positively
authenticated.
Captain Burney and Captain Phillips of the Marines, who have
both a tolerable knowledge of music, have given it as their
opinion they did sing in parts; that is to say, that they
sang together in different notes, which formed a pleasing
harmony.
Public-domain text, read in full here on John Shaqi.
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