The same comment may be made on the specimen next to be given as on the previous one: there is an entire omission of the trills and flourishes with which the singer garlanded his scaffolding of song, and which testified of his adhesion to the fashion of his ancestors, the fashion according to which songs have been sung, prayers recited, brave deeds celebrated since the time when Kane and Pele and the other gods dipped paddle for the first time into Hawaiian waters. Unfortunately, in this as in the previous piece and as in the one next to be given, the singer escaped the author before he was able to catch the words. V—Song from the Hula Pa-ipu Arranged by H. BERGER [Music] [Page 154] Here, again, is a piece of song that to the author’s ear bears much the same resemblance to the original that an oiled ocean in calm would bear to the same ocean when stirred by a breeze. The fine dimples which gave the ocean its diamond-flash have been wiped out. VI—Song for the Hula Pele Arranged by H. BERGER [Music] Is it our ear that is at fault? Is it not rather our science of musical notation, in not reproducing the fractions of steps, the enharmonics that are native to the note-carving ear of the Chinaman, and that are perhaps essential to the perfect scoring of an oli or mele as sung by a Hawaiian? None of the illustrations thus far given have caught that fluctuating trilling movement of the voice which most musicians interviewed on the subject declare to be impossible of representation, while some flout the assertion that it represents a change of pitch. One is reminded by this of a remark made by Pietro Mascagni:[309] [Footnote 309: The Evolution of Music from the Italian Standpoint, _in_ the Century Library of Music, XVI, 521.] “The feeling that a people displays in its character, its habits, its nature, and thus creates an overprivileged type of music, may be apprehended by a foreign spirit which has become accustomed to the usages and expressions common from that particular people. But popular music, [being] void of any scientific basis, will always remain incomprehensible to the foreigner who seeks to study it technically.”