Gesture is a voiceless speech, a short-hand dramatic picture. The Hawaiians were adepts in this sort of art. Hand and foot, face and eye, and those convolutions of gray matter which are linked to the organs of speech, all worked in such harmony that, when the man spoke, he spoke not alone with his vocal organs, but all over, from head to foot, every part adding its emphasis to the utterance. Von Moltke could be reticent in six languages; the Hawaiian found it impossible to be reticent in one. The hands of the hula dancer are ever going out in gesture, her body swaying and pivoting itself in attitudes of expression. Her whole physique is a living and moving picture of feeling, sentiment, and passion. If the range of thought is not always deep or high, it is not the fault of her art, but the limitations of her original endowment, limitations of hereditary environment, the universal limitations imposed on the translation from spirit into matter. The art of gesture was one of the most important branches taught by the kumu. When the hula expert, the _olohe_, who has entered the halau as a visitor, utters the prayer (p. 47), “O Laka, give grace to the feet of Pohaku, and to her bracelets and anklets; give comeliness to the figure and skirt of Luukia. To each one give gesture and voice. O Laka, make beautiful the _lei_; inspire the dancers to stand before the assembly,” his meaning was clear and unmistakable, and showed his high valuation of this method of expression. We are not, however, to suppose that the kumu-hula, whatever his artistic attainments, followed any set of formulated doctrines in his teaching. His science was implicit, unformulated, still enfolded in the silence of unconsciousness, wrapped like a babe in its mother’s womb. To apply a scientific name to his method, it might be called inductive, for he led his pupils along the plain road of practical illustration, adding example to example, without the confusing aid of preliminary rule or abstract proposition, until his pupils had traveled over the whole ground covered by his own experience.