The players, five or more of each sex, having been selected
by the president, _La anoano_ (“quiet day”), sat facing each
other in the space between the spectators. In front of each
player stood a conical block of heavy wood, broad at the base
to keep it upright. The kilu, with which the game was played,
was an oval, one-sided dish, made by cutting in two an
egg-shaped coconut shell. The object of the player was to
throw his kilu so that it should travel with a sliding and at
the same time a rotary motion across the matted floor and hit
the wooden block which stood before the one of his choice on
the side opposite. The men and the women took turns in
playing. A successful hit entitled the player to claim a kiss
from his opponent, a toll which was exacted at once. Success
in winning ten points made one the victor in the game, and,
according to some, entitled him to claim the larger forfeit,
[Page 236] such as was customary in the democratic game of _ume_. The
payment of these extreme forfeits was delayed till a
convenient season, or might be commuted—on grounds of
policy, or at the request of the loser, if a king or
queen—by an equivalent of land or other valuable possession.
Still no fault could be found if the winner insisted on the
strict payment of the forfeit.
The game of kilu was often got up as a compliment, a supreme
expression of hospitality, to distinguished visitors of rank,
thus more than making good the polite phrase of the Spanish
don, “all that I have is yours.”
The fact that the hula kilu was performed by the alii class,
who took great pains and by assiduous practice made
themselves proficient that they might be ready to exhibit
their accomplishment before the public, was a guarantee that
this hula, when performed by them, would be of more than
usual grace and vivacity. When performed in the halau as a
tabu dance, according to some, the olapa alone took part, and
the number of dancers, never very large, was at times limited
to one performer. Authorities differ as to whether any
musical instrument was used as an accompaniment. From an
allusion to this dance met with in an old story it is quite
certain that the drum was sometimes used as an accompaniment.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account