Gather, oh gather, ye hosts of godlings!
Come Kane with Kanaloa!
Come leafy Ohi’a and I-e!
Possess me and dwell in your altar!
5 Here’s water, water of life!
Life, give us life!
The visitor, having satisfied his sense of what the occasion
demands, changes his tone from that of cantillation to
ordinary speech, and concludes his worship with a petition
conceived in the spirit of the following prayer:
E ola ia’u, i ka malihini; a pela hoi na kamaaina, ke kumu,
na haumana, ia oe, e Laka. E Laka ia Pohaku i ka wawae. E
Laka i ke kupe’e. E Laka ia Luukia i ka pa-u; e Laka i ke
kuhi; e Laka i ka leo; e Laka i ka lei. E Laka i ke ku ana
imua o ke anaina.
[Page 47]
[Translation.]
Thy blessing, O Laka, on me the stranger, and on the
residents, teacher and pupils. O Laka, give grace to the feet
of Pohaku; and to her bracelets and anklets; comeliness to
the figure and skirt of Luukia. To (each one) give gesture
and voice. O Laka, make beautiful the lei; inspire the
dancers when they stand before the assembly.
At the close of this service of song and prayer the visitor
will turn from the kuahu and exchange salutations and
greetings with his friends in the halau.
The song-prayer “Now, Kane, approach, illumine the altar” (p.
45) calls for remark. It brings up again the question,
previously discussed, whether there were not two distinct
cults of worshipers, the one devoted to Laka, the other to
Kapo. The following facts will throw light on the question.
On either side of the approach to the altar stood,
sentinel-like, a tall stem of hala-pepe, a graceful, slender
column, its head of green sword-leaves and scarlet drupes
making a beautiful picture. (See p. 24.) These are said to
have been the special emblems of the goddess Kapo.
The following account of a conversation the author had with
an old woman, whose youthful days were spent as a hula
dancer, will also help to disentangle the subject and explain
the relation of Kapo to the hula:
“Will you not recite again the prayer you just now uttered,
and slowly, that it may be written down?” the author asked of
her. “Many prayers for the kuahu have been collected, but
this one differs from them all.”
“We Hawaiians,” she answered, “have been taught that these
matters are sacred (_kapu_) and must not be bandied about
from mouth to mouth.”
Public-domain text, read in full here on John Shaqi.
Unwritten Literature of Hawaii: The Sacred Songs of the Hula — John Shaqi
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