Up in the Clouds: Balloon VoyagesBallantyne, R. M. (Robert Michael)
History
Up in the Clouds: Balloon Voyages
Ballantyne, R. M. (Robert Michael)
Balloons
rivers, mountains, custom-houses,--all are passed without let or
hindrance. But every medal has its reverse; and, if we were delighted
at having safely got over the Scheldt, we by no means relished the
prospect of going on to the Zuyder Zee. `Shall we go down?' asked Louis
Godard. There was a moment's pause. We consulted together. Suddenly I
uttered a cry of joy; the position of the needle of my compass indicated
that the balloon had made a half turn to the right, and was now going
due east. The aspect of the stars confirmed this assertion. Forward!
was now the cry. We threw out a little ballast, mounted higher, and
started with renewed vigour with our backs turned to the depreciated
Zuyder Zee. It was now three in the morning, and none of us had slept.
Just as we began to try to sleep a little, my diabolical compass showed
that the balloon was turning back again. `Where are you going to take
us to?' cried out Yon to the immense mass of canvas which was
oscillating above our heads. Louis Godard again proposed to descend;
but we said, `No! forward! forward!' Two hours sped away without our
being able to tell where we were. At five o'clock day broke, and broad
daylight came on with marvellous rapidity. It is true that we were at a
height of 980 metres. Novel-writers and others have so much abused
descriptions of sunrise, on mountains and on the ocean, that I shall say
little about this one, although it is not a common thing to see the
horizon on fire below the clouds. The finest Venetian paintings could
alone give an idea of the luxuriant tones of the heaven that we saw.
Such dazzling magnificence led me to wonder that there is no revival of
sun worship, since men must necessarily have some material
representation of the divinity. It is true that the sun is not made in
man's image! We now had beneath us an immense plain, the same,
probably, that we had passed over in the night. There is nothing more
pleasant at first sight, nor more monotonous in the long-run, than the
sort of country which forms at least one-third of Holland. There are
miniature woods the size of bouquets, fields admirably cultivated and
divided into little patches like gardens, rivers with extraordinary
windings, microscopic roads, coquettish-looking villages, so white and
so clean that I think the Dutch housewives must scour the very roofs of
their houses every morning. In the midst of every village there is a
jewel of a church with a shining steeple. While riding along at a
height of 700 metres, we had beneath us a picture of Paul Potter's fifty
leagues square. All at once the tableaux became animated. The people
below had perceived the balloon. We heard cries expressive of
astonishment, fright, and even of anger; but the feeling of fright
seemed to predominate. We distinctly saw women in their chemises look
hurriedly out of windows and then rush back again. We saw chubby boys
looking at us, and blubbering as if they were mad. Some men, more
Public-domain text, read in full here on John Shaqi.
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