Now, my companion in these tramps has a rooted opinion that she is
easily fatigued, and must rest frequently; and I have no doubt it is
true, when she has no strong interest to urge her on. So she used to
burden herself with a clumsy waterproof, to throw on the ground to sit
upon; and in compliance with this notion (which was most amusing to
those whom she tired out in her tramps), whenever she thought of
it--that is, when the bird voice was still for a moment--she would seek
a sloping bank, or a place beside a tree where she could lean, and then
throw herself down, determined to rest. But always in one minute or
less, the warbler would be sure to begin again, when away went good
resolutions and fatigue, and she sprang up like a Jack-in-the-box,
saying, of course, "You sit still; I'll just go on a little," and off we
went over brake and brier.
While pursuing this vocal _ignis fatuus_ I made a charming discovery. In
one of the temporary pauses in our wild career, I was startled by the
flight of a bird from the ground very near us, and, searching about, I
soon found a veery's nest with one egg. It was daintily placed in a
clump of brakes or big ferns, resting on a fallen stick, over and around
which the brakes had grown.
The bird was not so pleased with my discovery as I was. She perched on a
tree over our heads, and uttered the mournful veery cry; and though I
did not so much as lay a finger on that nest, I believe she deserted it
at that moment, for several days afterward it was found exactly as on
that day, with its one egg cold and abandoned.
If I had not, through two summers' close study, made myself very
familiar with the various calls and cries of the veery, I think I should
be driven wild by them; for no bird that I know can impart such distance
to his notes, and few can get around so silently and unobserved as he. A
great charm in his song is that it rarely bursts upon your notice; it
appears to steal into your consciousness, and in a moment the air seems
full of his breezy, woodsy music, his "quivering, silvery song," as
Cheney calls it.
Not long were we allowed to meditate upon the charms of the veery, for
again the luring song began, the other side of the belt of woods, and
off we started anew. This time we secured the bird, or his name, which
was all we desired. The sweet beguiler turned out to be the warbler
mentioned above, the black-throated green, but with a more than usually
exquisite arrangement of his notes. Indeed, my friend, who was what I
call warbler-mad,--a state of infatuation I have with care and
difficulty guarded myself against,--heard in the woods of the
neighborhood, during that summer's visit, no less than four different
songs from the same species of warbler.
[Sidenote: _THE LAST TRAMP._]
Public-domain text, read in full here on John Shaqi.
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