Since until comparatively recent years in the River Plate Provinces
mutton has been held unworthy of even a beggar's acceptance, the
carcasses of the sheep suffered the most ignominious end of all.
Amongst the other means they were made to serve, the animals were
driven to the brick-kilns, slaughtered upon the spot, and their bodies
flung into the ovens to feed the fires. As for the cattle, their
skulls and horns were everywhere. Prepared by the foregoing for
revelations of general utility, it is not surprising to read that
houses as well as fence-lines were frequently constructed from such
tragic material.
Such reminiscences of the past, however, have drawn the trail too far
aside from the modern city of Montevideo, where dogs are subject to
police regulations, and the rat is scarce, and meat as dear as
elsewhere. As for the town itself, it has sprung up afresh, and
renewed itself yet once again since the colonial days. Indeed, the
sole buildings of importance that remain from the time of the Spanish
dominion are the cathedral and Government palace.
[Illustration: SOLIS THEATRE AND NATIONAL MUSEUM.]
[Illustration: THE CERRO FORT.
To face p. 156.]
The national museum at Montevideo is both well represented and amply
stocked. It is a place into which the average foreigner enters with
sufficient rarity, which is rather lamentable, since a very varied
local education is to be derived from its contents. Uruguayan art,
natural history, geology, literature, and historical objects all find
a place here. The collection of primitive Indian utensils, and of
_bolas_, the round stones of the slings, is unique. It is said that in
the case of the latter, which have been brought together from all
districts, almost every species of stone that exists in the country is
to be met.
The historical objects here, moreover, are of great interest to one
who has followed the fluctuating fortunes of the country. The early
uniforms and weapons of the Spaniards, the costumes and long lances of
the first struggling national forces, and a host of other exhibits of
the kind are assisted by a considerable collection of contemporary
local pictures and drawings. Many of the earlier specimens of these
are exceedingly crude, but none the less valuable for that, since the
battle scenes are depicted with much the same rough vigour that
doubtless characterised their actual raging.
Public-domain text, read in full here on John Shaqi.
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