Europe -- Description and travel; United States -- Description and travel
Southern Greece, streaked with rich valleys, and well-clothed lower
hills. By midday we were ashore at Corfu, driving through the old
Venetian streets, and on, over English macadamised roads, through olive
groves finer than those of Attica, up to the one-gun battery--the finest
view in the fairest island of the world. Bathing, and lunching, and all
but letting the steamer go on without us! Steaming away northward again,
leaving the shade of the union-jack under which we had revelled for a
few hours, and the delightful sound of the vernacular in the mouth of
the British soldiers, for a twenty-four hours’ run up the Adriatic, and
into Trieste harbour, just in time to baulk a fierce little storm which
came tearing down from the Alps to meet us.
Trieste is the best paved town I was ever in, and otherwise internally
attractive, while in the immediate neighbourhood, on the spurs of the
great mountains and along the Adriatic shore, are matchless sites for
country houses, and many most fascinating houses on them. For choice,
the situation, to my mind, even beats the celebrated hills round Turin,
for the view of the Adriatic turns the scale in favour of the former.
But neither city nor neighbourhood held us, and we hurried on to Venice
by rail, with the sea on our left, and the great Alpine range on our
right--now close over us, now retiring--the giant peaks looking dreamily
down on us through a hot shadowy haze all the day long. Poor Venice! we
lingered there a few days amidst pictures and frescoes and marbles; at
night drinking our coffee in the Place of St. Mark, on the Italian
side, watching the white and blue uniforms on the other, and hearing the
Austrian military band play, or gliding in a gondola along the moonlit
grand canal. English speculators are getting a finger in house property
at Venice. There were placards up in English on a dozen of the palaces,
“To be let or sold,” with the direction of the vendors below. What does
this portend? Let us hope not restoration on Camberwell or Pentonville
principles of art.
Public-domain text, read in full here on John Shaqi.
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