I was taught how to prepare it by a man who travelled with a circus, and
who assured me that all his ice-cold lemonade was concocted in the same
way; and that, far from having killed anybody, it gave perfect
satisfaction to the gentlemen and ladies from the country, who were his
principal customers.
The only excuse I have to offer for myself now is, that I was not
conscious then how great a villain I really was.
* * * * *
Toward the middle of the summer the cholera became so prevalent in the
Western cities that I thought it prudent to retire from the active life
of a train-boy, and live quietly on my earnings. I settled myself,
therefore, at a fashionable boarding-house in Toledo.
Here the landlady, fearful of the dust and anxious for the integrity of
her carpet, made a remarkable compromise with me to the glory of
æsthetics. Whenever there was a pressing request from the boarders for
me to exercise my feet, she would bustle in with a large roll of
oil-cloth, and spread it uncomplainingly on the parlor floor near the
piano to the music of which I danced. This was, I think, the first
introduction of clogs as a drawing-room entertainment. I soon came to be
invited out as a sort of cub-lion; and thus it happened that the rumor
and dust of my accomplishments spread gradually throughout the city.
One evening I strolled into what was then the St. Nicholas, and,
stepping to the bar, which came just up to my juvenile shoulders, I
demanded authoritatively of the bar-tender if he had any good pale
brandy. He said that he had. I told him in the same imperative tone to
give me a ten-cent drink, “and none of his instant-death kind either.”
This made somewhat of a sensation among the frequenters of that
fashionable resort. They evidently mistook this brandy-bibbing as a
swaggering habit of mine; whereas I was honestly prescribing for myself
what had been recommended to me as the best preventive of cholera.
Having swallowed and paid for the brandy, I was preparing to withdraw,
when I heard this dialogue going on behind me:--
“Who for pity’s sake is that?”
“That? why, that’s just the boy you want. But can’t he dance though!”
Turning, I saw a couple of well-dressed men seated together at the end
of the room. I had barely time to observe that one was a stranger to me,
when the other called me to him, and introduced me to Johnny Booker.
Now I had heard the songs, then popular, “Meet Johnny Booker in the
Bowling Green,” and “Johnny Booker help dis nigger”; and when I was
aware that I was standing before the person to whose glory these lyrics
had been written, I was very much abashed. I looked upon a great
negro-minstrel as unquestionably the greatest man on earth, and it was
some time before I could answer his questions intelligibly.
Public-domain text, read in full here on John Shaqi.
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