At night the house was crowded, and I was called out three times; but what afterwards struck me as unaccountably odd was, that I received not one cent from the proceeds of this benefit. When my salary was paid me, at the end of the next week, I was assured that “this benefit business” was a mere trick of the trade, and I was forced to content myself with the fact that I had learned something in my new profession. CHAPTER III. THE FATE OF THE SERENADERS. We now started on our travels, staying from one night to a week in a city, according to its size, stopping always at the best hotels, and leading the merriest of lives generally. I had the additional glory of being stared at as the youthful prodigy by day, and of having more than my share of applause, accompanied sometimes with quarter-dollars, bestowed on me at night. There are probably many who will yet remember to have seen their cities thoroughly posted and plastered with the glaring announcement, in gigantic red letters, that “The Metropolitan Serenaders” were “coming.” That was our company, and in that golden age of minstrelsy our coming was an event of some importance. It certainly seemed so to the management; for on our arrival it was furthermore announced in large sky-blue letters, on all the prominent vacant buildings, and on all the low-tariff or free-trading board fences, that “The Metropolitan Serenaders” had “come.” Nor was this all. As soon as our property-boxes were unpacked, our portraits in most gorgeous colored daguerreotypes were suspended about the entrance to the hall where we were to perform, and about the reading-rooms of the principal hotels. Bad as these unquestionably were, they were the very perfection of that style of art in those days; and thus it happened that those even who came upon our pictures to scoff, remained to admire. In addition, there was a collective and general--I may say, very general--representation of ourselves on canvas, suspended across the principal street; we being attired, for that pictorial occasion only, in green dress-coats and in pantaloons of the same shade as our lips, which were of a very brilliant and unnatural pink. I was sometimes astonished at the stupidity of the common public, who would frequently, as I stood among them, in graceful incognito, point out on this superb water-color the picture of the guitar-player, and decide in my hearing that he must be meant for the “Juvenile Phenomenon.” Now this guitar-player was in reality the longest, lankest, and by all odds the homeliest man in the company; and how the public should ever mistake him for me, the only original “Juvenile Phenomenon,” was more than I could understand.