These and many more very brilliant and mirth-provoking feats of boyish
humor--very brilliant and mirth-provoking, of course, I mean, to my
friend and myself--did I perform that morning in the hay-mow; all
bearing upon the assumed utter discomfiture of the bereaved people about
that breakfast-table. But, alas! even a precocious autobiographer, with
his mouth full of bread-and-butter, may make the mistake, so common to
the adult of his species, of over-estimating his own importance. I have
since learned that there was no sensation of any consequence at the
breakfast-table in question, and that my subsequent permanent loss was
taken with remarkable equanimity and resignation.
It was an expressive, nay, eloquent, look of envy and admiration that my
friend gave me, when it came time for him to leave me to my own devices
for the forenoon, while he went reluctantly to school. Even to this
moment I cannot say that I covet the amount of knowledge he carried away
from his books that day, or, indeed, the succeeding three days.
I sallied stealthily forth to amuse myself in the by-streets till he
came back at noon to bring my dinner; which consisted of a repetition of
the breakfast, with the added dessert of an apple. This latter he
carried carefully in his hand, but the bread-and-butter he invariably
bore stowed away in his trousers pocket; I say invariably, for I lived
two or three days thus on his secret bounty.
About dusk of the second evening he came to me with--in addition to the
bread-and-butter for my supper--the startling news, that he was going to
take me to the theatre. I do not remember how we got in,--it was not,
certainly, by paying our way. I incline to the opinion that my friend
had some secret understanding with the door-tender. I know merely that,
by some means, we achieved our entrance to the pit of the old Eagle
Street Theatre.
I have heard good citizens of Buffalo complain that, since Lola Montez
burned down that seat of the histrionic Muse, the drama has languished
in their city. Of course I am not competent to decide in such matters;
but, that being the first playhouse of any kind I ever entered, I am
glad to be able to say that I have never since seen anything in the
theatrical line so absorbingly thrilling, or so gorgeously magnificent,
as the old Eagle Street Theatre was to me that night. The name and plot
of the play I have forgotten; but the dark frown of that smooth villain
in the third act--where his villany first began to show itself to my
unpractised comprehension--will never fade from my remembrance.
Public-domain text, read in full here on John Shaqi.
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