Produced by David Widger
VAGABONDIA
By Frances Hodgson Burnett
JAMES R. OSGOOD AND COMPANY - 1884
CONTENTS
AUTHOR'S NOTE.
VAGABONDIA.
CHAPTER I. ~ IN WHICH WE HOLD COUNSEL.
CHAPTER II ~ IN THE CAMPS OF THE PHILISTINES.
CHAPTER III. ~ IN WHICH THE TRAIN IS LAID.
CHAPTER IV. ~ A LILY OF THE FIELD.
CHAPTER V. ~ IN WHICH THE PHILISTINES BE UPON US.
CHAPTER VI. ~ “WANTED, A YOUNG PERSON.”
CHAPTER VII. ~ IN WHICH A SPARK IS APPLIED.
CHAPTER VIII. ~ THE BEGINNING OF THE ENDING.
CHAPTER IX. ~ IN WHICH WE ARE UNORTHODOX.
CHAPTER X. ~ IN SLIPPERY PLACES.
CHAPTER XI. ~ IN WHICH COMES A WIND WHICH BLOWS NOBODY GOOD.
CHAPTER XII. ~ IN WHICH THERE IS AN EXPLOSION.
CHAPTER XIII ~ A DEAD LETTER.
CHAPTER XIV. ~ SEVEN LONG YEARS, BELOVED, SEVEN LONG YEARS.
CHAPTER XV. ~ IN WHICH WE TRY SWITZERLAND.
CHAPTER XVI. ~ IF YOU SHOULD DIE.
CHAPTER XVII. ~ DO YOU KNOW THAT SHE IS DYING?
CHAPTER XVIII. ~ GRIF!
CHAPTER XIX. ~ ROSE COLOR.
AUTHOR'S NOTE.
This my first novel was written several years ago, and published
(without any revision by me) first in a ladies' magazine under the name
of “Dorothea,” and afterwards in book form as “Dolly.” For reasons not
necessary to state here, all control over the book had passed from
my hands. It has been for some time out of print; but, having at last
obtained control of the copyright, I have made such corrections as
seemed advisable, given it the name I originally intended for it, and
now issue it through my regular publishers.
FRANCES HODGSON BURNETT.
Washington, November, 1883.
VAGABONDIA.
CHAPTER I. ~ IN WHICH WE HOLD COUNSEL.
It was a nondescript sort of a room, taking it altogether. A big, sunny
room, whose once handsome papering and corniceing had grown dingy, and
whose rich carpeting had lost its color and pile in places, and yet
asserted its superiority to its surroundings with an air of lost
grandeur in every shabby medallion. There were pictures in abundance on
the walls, and more than one of them were gems in their way, despite the
evidence all bore to being the work of amateurs. The tables were carved
elaborately, and the faded, brocaded chairs were of the order _pouf_,
and as inviting as they were disreputable in appearance; there was
manuscript music among the general litter, a guitar hung from the wall
by a tarnished blue and silver ribbon, and a violin lay on the piano;
and yet, notwithstanding the air of free-and-easy disorder, one could
hardly help recognizing a sort of vagabond comfort and luxury in the
Bohemian surroundings. It was so very evident that the owners must enjoy
life in an easy, light-hearted, though perhaps light-headed fashion; and
it was also so very evident that their light hearts and light heads rose
above their knowledge of their light purses.
Public-domain text, read in full here on John Shaqi.
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