entered the lists in his love's behalf, and tilted against tremendous
odds, and died unvanquished; but living in the nineteenth century, his
impetuosity, being necessarily restrained, became concentrated upon one
point, and chafed him terribly at times. Without Dolly, he would have
been without an object in life; with Dolly, he was willing to face
any amount of discouragement and misfortune; and at this stage of his
affection--after years of belief in that far-off blissful future--to
lose her would have brought him wreck and ruin.
So when Dolly, in the full consciousness of present freedom from
iniquity, withdrew herself from his encircling arm and turned her
attention to Tod and Mollie, he was far more wretched than he had any
right to be, and stood watching them, and gnawing his slender mustache,
gloomy and distrustful.
But this could not last long, of course. They might quarrel, but they
always made friends; and when in a short time Mollie, doubtless feeling
herself a trifle in the way, left the room with the child, Dolly's
impulsive warm-heartedness got the better of her upon this occasion as
upon all others.
She came back to her lover's side and laid her hand on his arm.
“Don't let us quarrel about Ralph Gowan, Griffith,” she said. “It was my
fault; I ought to have told you.”
He fairly crushed her in his remorseful embrace almost before she had
finished her appeal. His distrust of her was as easily overcome as it
was roused; one touch of her hand, one suspicion of a tremor in her
voice, always conquered him and reduced him to penitent submission.
“You are an angel,” he said, “and I am an unfeeling clod. No other woman
would bear with me as you do. God bless you, Dolly.”
She nestled within his arms and took his caresses almost gratefully.
Perhaps it would have been wiser to have shown him how deep a sting his
want of faith gave her sometimes, but she was always so glad when their
misunderstandings were at an end, that she would not have so revenged
herself upon him for the world. The cool, audacious self she exhibited
in the camps of the Philistines was never shown to Griffith; in her
intercourse with him she was only a slightly intensified edition of the
child he had fallen in love with years before,--a bright, quick-witted
child, with a deep nature and an immense faculty for loving and clinging
to people. Dolly at twenty-two was pretty much what she had been at
fifteen, when they had quarrelled and made up again, loved each other
and romanced over the future brilliancy of prospect which now seemed
just as far off as ever.
Public-domain text, read in full here on John Shaqi.
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