American fiction -- 20th century; Short stories, American
“I was involved in Paramore’s case. I’ve been to the bottom of this
thing, I tell you. Paramore overflowed--emptied himself like a well; and
at the end there was absolutely nothing left in his mind; it was void,
up to the black brim. Then he died--quite vacuous. He had simply poured
out his inner life around me. I was left alone in Dakar, swimming in the
infernal pool of Paramore’s cerebrations. You can’t, on the banks of the
Sénégal, refer a man to his solicitors. If Paramore had been a Catholic,
I could have turned his case over to the Bishop. But bishops had nothing
to do with Paramore. And that’s where you come in.”
“Oh, I come in, do I?” I asked a little fearfully. No one wants to come
in where Hoyting leaves off.
“Of course. Why else did I make an appointment with you? You’ll take
this packet when you leave. You don’t suppose I’m going to London!”
“I didn’t know Paramore.”
“No; but I did. And when I’ve told you, you’ll see. I don’t take a trip
like this for nothing. I hate the very smell of the asphalt.”
“Go on.” It’s what one always says to Hoyting.
“I can’t tell it coherently--though I can tell it, I suppose, more
coherently than he did. In the first place, what do you know about him?”
The question sent a flood of dingy reminiscence welling slowly and
muddily up through my consciousness. I thought for a moment. What, after
all, was there to tell about Paramore except that he had lied, and that
in the end he had been discredited as lavishly as for a time he had been
believed? For any one else I might have made a sprightly little story
out of the elliptical narrative of the newspapers; but no one that I
know of has ever tried to be a _raconteur_ for Hoyting. He has use only
for the raw material; art disgusts him. I gave him as rapid a _précis_
as I could, suppressing all instinct to embroider it.
When I had finished: “He’s completely discredited, then?”
I waved my hands. “My dear Hoyting, no one would take Paramore’s word
about the manners and customs of his own household.”
“It’s a pity,” said Hoyting simply. “It makes it harder for you.”
“I’ve nothing to do with Paramore. If there’s one thing that interests
me less than his disaster, it’s his rehabilitation.” I didn’t mean to be
flippant, but Hoyting’s ominousness invited it.
“Oh, rehabilitation--no; I dare say, between us, we couldn’t manage
that. I merely want to get the truth off my hands.”
Hoyting lighted another cigarette. The atmosphere of my room was already
densely blue, and I opened the window. His hand shot up. “Shut that,
please. I can’t be interrupted by all those savage noises. God! for a
breath of sea air!”
I sat down and faced him. After all, the man has never lived who could
stage-manage Hoyting.
“Did you ever meet the Australian?” he asked.
“Whitaker? No.”
“A pretty bad lot, I gather.”
“Do you mean that he lied?”
“Oh, no. From what Paramore said, I should think that was just the one
thing he didn’t do.”
Public-domain text, read in full here on John Shaqi.
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