American fiction -- 20th century; Short stories, American
“There you have it all. He went, he did the incredible thing, and then,
quite properly, he died. The rest--the rest is mere drama.” He sat back.
I put the packet down. “Do you mean that these are his documents, and
that you believe in them? Have you read them?”
“Have I read them? Do I look as if I would read an anthropologist’s
note-books? Of course, I can see the humor of throwing over
Christianity, lock, stock, and barrel, only to spend your life studying
totemism--and on top of that, calling it a ‘career.’ If you think the
absurdity of it is lost on me, you’re quite mistaken. But I would be
willing to take my oath before the Last Tribunal that there isn’t a
false word in that whole pile. Paramore did it--the more honor to him.
When it comes to expecting any one else to believe it--I’m not such a
fool. But I should think my word might suffice for you.”
I shrugged my shoulders.
Hoyting lighted another cigarette, folded his arms on the table, and
looked at me. “I knew everything there was to know about Paramore before
he died,” he affirmed. “I didn’t in the least want to know any of it,
but it was inevitable. He had no control over his mental
muscles--complete paralysis of the reticent nerve, you might say. I
know, I tell you. If you don’t choose to believe it--you’ll have doubted
my word, that’s all. I have all the evidence there is; and why should I
lie about it?”
“Oh, I believe it--but it’s extraordinary.”
“Should I be here if it weren’t extraordinary? It’s preposterous. But
there it is.”
“And the rest, you said, was drama?”
Hoyting looked out. “Let’s go to a café,” he said; “I want a rest.”
I assented. There is something in the transitoriness of a café crowd
that quiets Hoyting. No one can be expected to stay overnight in a café.
He likes the restlessness, the ridiculous suggestion that every one else
may be as foot-loose as he. Besides, Hoyting is always restive under the
strain of a story; he chafes at the bounds and limits of any rounded
episode. He needs to draw breath and come back to it, as it were, from
very far. So we ordered things; sitting on the very edge of the
boulevard, we sipped and watched for an hour. In the end I saw signs of
his return to the matter in hand.
“Beauty--” he began suddenly, pushing his glass aside, “it’s something I
never see. But now and then a man or a woman delights me curiously.
Madame Pothier was like that. She showed you what civilization of the
older sort can do when it likes. And Paramore saw it, too. He was clean
gone on her. He would have told her everything if he had had any right
to. I said it wasn’t a silly tale of woman’s ennobling influence, didn’t
I? No more it was. Yet he saw her as soon as he reached Africa, and I am
sure he carried her image into the interior with him--as he once did
Joan Whitaker’s, only with an immense difference, after all. This time
he brought back truth instead of lies. So at least it couldn’t have been
a bad image to live with.
Public-domain text, read in full here on John Shaqi.
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