American fiction -- 20th century; Short stories, American
She spoke as if she had run up from her country place for the day. Peter
suddenly revolted against this careless treatment of his plight. He was
glad if his prayers had succeeded in averting tragedy. At the same time,
he didn’t intend to be turned into farce. He hadn’t let himself in for
all this only to be shirked as he had been shirked for more than twenty
years. He meant to know things, hang it! He had been afraid of a scene;
afraid of twenty years’ emotion expressed in an hour; of a creation of
human ties as violent and sudden as the growth of the tree from the
mango-seed in the fakir’s hands. “In ten minutes you eat the ripe
mango,” a globe-trotting friend had told him. If he hadn’t the fakir’s
miracle to fear, well and good; but neither was he going to suffer the
other extreme, the complete dehumanizing of the experience. After all,
she was his mother, hang it! If she wasn’t going to make him pay--well,
he would make her pay. Somebody had to get something out of so
preposterous a situation. He leaned forward.
“Things you couldn’t write? Or have you just funked it, on the way?”
“Funked it?” Her vocabulary apparently did not hold the word.
“I mean--oh, I mean, let us talk straight. You’ve let it all go for more
than twenty years. Now you take it all up again. I’m a gentleman, I
hope. I didn’t bolt, though you can bet I wanted to. It would have been
easier never to have seen you at all.”
“You’ve never wanted to see your mother?”
Peter looked out of the window into the familiar street. If it hadn’t
been for the utter detachment of her tone, he would have felt that she
was hitting below the belt.
“What do you take me for? I’ve nearly died of--well, call it interest,
more times than I can count up. No little boy likes to have no mother;
likes to have his mother care nothing for him. But I’ve grown perfectly
used to it. And I know--I _know_ now, mind you--that you don’t care.
Well, it may not be what I should have chosen, but at least it lets me
out. It’s too late, now, to make me care.”
It was by no means the whole truth. But it was what he had been trying,
and in vain, to say to himself an hour since about it all. There was
some triumph in being able to say it now to her.
Her blue eyes turned on him a stranger’s sudden kindness. “Were those
years bad, Peter? I thought they’d be less bad if you began them very
young. You see, they had to begin some time.”
“Oh, they began--and they lasted. Now, they’re not bad at all. So why
rake it all up now?”
If she had been little and old and shaking, he couldn’t have pressed the
question, he knew. The powdered cheeks, the elaborate hair, the
vermilion lips gave him a kind of sanction. There was a pitiful way of
wearing rouge, no doubt; this wasn’t pitiful in the least. He didn’t
know what she looked like underneath the mask, but he could almost have
sworn she didn’t need it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account