American fiction -- 20th century; Short stories, American
It became quite clear to me that the presences at Braythe concerned
themselves only with major dooms. If Lithway’s ghost had been his wife,
his wife must have been a bad lot. I am as certain as I can be of
anything that he was exceedingly unhappy with her. It was a thousand
pities that, for so many years, he had misunderstood the vision; that he
had permitted himself--for that was what it amounted to--to fall in love
with her in advance. She was, quite literally, his “fate.” Of course, by
this time, I feel sure that he couldn’t have escaped her. I don’t
believe the house went in for kindly warnings; I think it merely, with
the utmost insolence, foretold the inevitable and dared you to escape
it. If I hadn’t gone out for big game in Africa, I am quite sure that my
nigger would have got at me somewhere else--even if he had to be a
cannibal out of a circus running amuck down Broadway. That was the trick
of the house: the worst thing that was going to happen to you leered at
you authentically over that staircase. I have never understood why I saw
Lithway’s apparition; but I can bear witness to the fact that she was
furious at my having seen her--as furious as Mrs. Lithway was, the next
day, if it comes to that. It was a mistake. My step may have sounded
like Lithway’s. Who knows? At least it should be clear what Lithway
meant when he said that he didn’t always know whether he saw her or not.
The two were pin for pin alike. The apparition, of course, had, from the
beginning, worn the dress that Mrs. Lithway was to wear on the day that
Lithway was taken to the hospital. I have never liked to penetrate
further into the Lithways’ intimate history. I am quite sure that the
folded paper was the old will, but I have always endeavored, in my own
mind, not to implicate Margaret Lithway more than that. Of course, there
could never have been any question of implicating her before the public.
Public-domain text, read in full here on John Shaqi.
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