Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
68. Not in private nor domestic art, therefore, I repeat to you, but
in useful magnificence of public art, these citizens expressed their
pride:--and that public art divided itself into two branches--civil,
occupied upon ethic subjects of sculpture and painting; and religious,
occupied upon scriptural or traditional histories, in treatment of
which, nevertheless, the nascent power and liberality of thought were
apparent, not only in continual amplification and illustration of
scriptural story by the artist's own invention, but in the acceptance
of profane mythology, as part of the Scripture, or tradition, given by
Divine inspiration.
69. Nevertheless, for the provision of things necessary in domestic
life, there developed itself, together with the group of inventive
artists exercising these nobler functions, a vast body of craftsmen,
and, literally, _man_ufacturers, workers by hand, who associated
themselves, as chance, tradition, or the accessibility of material
directed, in towns which thenceforward occupied a leading position in
commerce, as producers of a staple of excellent, or perhaps inimitable,
quality; and the linen or cambric of Cambray, the lace of Mechlin,
the wool of Worstead, and the steel of Milan, implied the tranquil and
hereditary skill of multitudes, living in wealthy industry, and humble
honour.
70. Among these artisans, the weaver, the ironsmith, the goldsmith, the
carpenter, and the mason necessarily took the principal rank, and on
their occupations the more refined arts were wholesomely based, so that
the five businesses may be more completely expressed thus:
The weaver and embroiderer,
The ironsmith and armourer,
The goldsmith and jeweller,
The carpenter and engineer,
The stonecutter and painter.
You have only once to turn over the leaves of Lionardo's sketch book,
in the Ambrosian Library, to see how carpentry is connected with
engineering,--the architect was always a stonecutter, and the
stonecutter not often practically separate, as yet, from the painter,
and never so in general conception of function. You recollect, at a much
later period, Kent's description of Cornwall's steward:
"KENT. You cowardly rascal!--nature disclaims in thee, a tailor made
thee!
CORNWALL. Thou art a strange fellow--a tailor make a man?
KENT. Ay, sir; a stonecutter, or a painter, could not have made him so
ill; though they had been but two hours at the trade."
71. You may consider then this group of artizans with the merchants, as
now forming in each town an important Tiers Etat, or Third State of
the people, occupied in service, first, of the ecclesiastics, who
in monastic bodies inhabited the cloisters round each church; and,
secondly, of the knights, who, with their retainers, occupied, each
family their own fort, in allied defence of their appertaining streets.
Public-domain text, read in full here on John Shaqi.
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