Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
76. The existence of the nobler arts, however, involves the
harmonious life and vital faith of the three classes whom we have
just distinguished; and that condition exists, more or less disturbed,
indeed, by the vices inherent in each class, yet, on the whole,
energetically and productively, during the twelfth, thirteenth,
fourteenth, and fifteenth centuries. But our present subject being
Architecture only, I will limit your attention altogether to the state
of society in the great age of architecture, the thirteenth century.
A great age in all ways; but most notably so in the correspondence
it presented, up to a just and honourable point, with the utilitarian
energy of our own days.
77. The increase of wealth, the safety of industry, and the conception
of more convenient furniture of life, to which we must attribute the
rise of the entire artist class, were accompanied, in that century, by
much enlargement in the conception of useful public works: and--not by
_private_ enterprise,--that idle persons might get dividends out of the
public pocket,--but by _public_ enterprise,--each citizen paying down
at once his share of what was necessary to accomplish the benefit to the
State,--great architectural and engineering efforts were made for
the common service. Common, observe; but not, in our present sense,
republican. One of the most ludicrous sentences ever written in the
blindness of party spirit is that of Sismondi, in which he declares,
thinking of these public works only, that 'the architecture of the
thirteenth century is entirely republican.' The architecture of
the thirteenth century is, in the mass of it, simply baronial or
ecclesiastical; it is of castles, palaces, or churches; but it is true
that splendid civic works were also accomplished by the vigour of the
newly risen popular power.
"The canal named Naviglio Graude, which brings the waters of the Ticino
to Milan, traversing a distance of thirty miles, was undertaken in 1179,
recommended in 1257, and, soon after, happily terminated; in it still
consists the wealth of a vast extent of Lombardy. At the same time the
town of Milan rebuilt its walls, which were three miles round, and
had sixteen marble gates, of magnificence which might have graced the
capital of all Italy. The Genovese, in 1276 and 1283, built their two
splendid docks, and the great wall of their quay; and in 1295 finished
the noble aqueduct which brings pure and abundant waters to their city
from a great distance among their mountains. There is not a single town
in Italy which at the same time did not undertake works of this kind;
and while these larger undertakings were in progress, stone bridges were
built across the rivers, the streets and piazzas were paved with
large slabs of stone, and every free government recognized the duty of
providing for the convenience of the citizens." [1]
[Footnote 1: Simondi, vol ii. chap. 10.]
Public-domain text, read in full here on John Shaqi.
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