Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873 — John Shaqi
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
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Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
"They took no interest in public affairs; they had assemblies of their
commune at the village in which the church of their parish was situated,
and to which they retreated to defend themselves in case of war; they
had also magistrates of their own choice; but all their interests
appeared to them enclosed in the circle of their own commonality; they
did not meddle with general politics, and held it for their point of
honour to remain faithful, through all revolutions, to the State of
which they formed a part, obeying, without hesitation, its chiefs,
whoever they were, and by whatever title they occupied their places."
81. Of the inferior agricultural labourers, employed on the farms of the
nobles and richer ecclesiastics, I find nowhere due notice, nor does any
historian seriously examine their manner of life. Liable to every form
of robbery and oppression, I yet regard their state as not only morally
but physically happier than that of riotous soldiery, or the lower class
of artizans, and as the safeguard of every civilized nation, through
all its worst vicissitudes of folly and crime. Nature has mercifully
appointed that seed must be sown, and sheep folded, whatever lances
break, or religions fail; and at this hour, while the streets of
Florence and Verona are full of idle politicians, loud of tongue,
useless of hand and treacherous of heart, there still may be seen in
their market-places, standing, each by his heap of pulse or maize, the
grey-haired labourers, silent, serviceable, honourable, keeping faith,
untouched by change, to their country and to Heaven. [1]
[Footnote 1: Compare "Sesame and Lilies," sec. 38, p. 58. (P. 86 of the
small edition of 1882.)]
82. It is extremely difficult to determine in what degree the feelings
or intelligence of this class influenced the architectural design of the
thirteenth century;--how far afield the cathedral tower was intended
to give delight, and to what simplicity of rustic conception Quercia or
Ghiberti appealed by the fascination of their Scripture history. You may
at least conceive, at this date, a healthy animation in all men's minds,
and the children of the vineyard and sheepcote crowding the city on its
festa days, and receiving impulse to busier, if not nobler, education,
in its splendour. [1]
[Footnote 1: Of detached abbeys, see note on Education of Joan of Arc,
"Sesame and Lilies," sec. 82, p. 106. (P. 158 of the small edition of
1882.)]
83. The great class of the merchants is more difficult to define; but
you may regard them generally as the examples of whatever modes of life
might be consistent with peace and justice, in the economy of transfer,
as opposed to the military license of pillage.
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