Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873 — John Shaqi
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
The tower, which many of you so well remember the daily sight of, in
your youth, above the "winding shore" of Thames,--the tower upon
the hill of London; the dome which still rises above its foul and
terrestrial clouds; and the walls of this city itself, which has been
"alma," nourishing in gentleness, to the youth of England, because
defended from external hostility by the difficultly fordable streams of
its plain, may perhaps, in a few years more, be swept away as heaps of
useless stone; but the rocks, and clouds, and rivers of our country will
yet, one day, restore to it the glory of law, of religion, and of life.
6. I am about to ask you to read the hieroglyphs upon the architecture
of a dead nation, in character greatly resembling our own,--in laws
and in commerce greatly influencing our own;--in arts, still, from her
grave, tutress of the present world. I know that it will be expected of
me to explain the merits of her arts, without reference to the wisdom of
her laws; and to describe the results of both, without investigating the
feelings which regulated either. I cannot do this; but I will at once
end these necessarily vague, and perhaps premature, generalizations;
and only ask you to study some portions of the life and work of two men,
father and son, citizens of the city in which the energies of this great
people were at first concentrated; and to deduce from that study
the conclusions, or follow out the inquiries, which it may naturally
suggest.
7. It is the modern fashion to despise Vasari. He is indeed despicable,
whether as historian or critic,--not least in his admiration of Michael
Angelo; nevertheless, he records the traditions and opinions of his day;
and these you must accurately know, before you can wisely correct. I
will take leave, therefore, to begin to-day with a sentence from Vasari,
which many of you have often heard quoted, but of which, perhaps, few
have enough observed the value.
"Niccola Pisano finding himself under certain Greek sculptors who were
carving the figures and other intaglio ornaments of the cathedral of
Pisa, and of the temple of St. John, and there being, among many spoils
of marbles, brought by the Pisan fleet, [1] some ancient tombs, there
was one among the others most fair, on which was sculptured the hunting
of Meleager." [2]
[Footnote 1: "Armata." The proper word for a land army is "esercito."]
[Footnote 2: Vol. i., p. 60, of Mrs. Foster's English translation, to
which I shall always refer, in order that English students may compare
the context if they wish. But the pieces of English which I give are
my own direct translation, varying, it will be found, often, from Mrs.
Foster's, in minute, but not unimportant, particulars.]
Get the meaning and contents of this passage well into your minds. In
the gist of it, it is true, and very notable.
Public-domain text, read in full here on John Shaqi.
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