Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
[Footnote 1: Distinguish always the personal from the religious feud;
personal feud is more treacherous and violent in Italy than in Scotland;
but not the political or religious feud, unless involved with vast
material interests.]
[Footnote 2: Sismondi, vol. ii., chap. ii.; G. Villani, vi., 33.]
98. Such being the general state of matters in Florence, in this year
1248, Frederick writes to the Uberti, who headed the Ghibellines,
to engage them in serious effort to bring the city distinctly to
the Imperial side. He was besieging Parma; and sent his natural son,
Frederick, king of Antioch, with sixteen hundred German knights, to give
the Ghibellines assured preponderance in the next quarrel.
The Uberti took arms before their arrival; rallied all their Ghibelline
friends into a united body, and so attacked and carried the Guelph
barricades, one by one, till their antagonists, driven together by local
defeat, stood in consistency as complete as their own, by the gate
of St. Peter, 'Scheraggio.' Young Frederick, with his German riders,
arrived at this crisis; the Ghibellines opening the gates to him; the
Guelphs, nevertheless, fought at their outmost barricade for four days
more; but at last, tired, withdrew from the city, in a body, on the
night of Candlemas, 2nd February, 1248; leaving the Ghibellines and
their German friends to work their pleasure,--who immediately
set themselves to throw down the Guelph palaces, and destroyed
six-and-thirty of them, towers and all, with the good help of Niccola
Pisano,--for this is the occasion of that beautiful piece of new
engineering of his.
99. It is the first interference of the Germans in Florentine affairs
which belongs to the real cycle of modern history. Six hundred years
later, a troop of German riders entered Florence again, to restore its
Grand Duke; and our warmhearted and loving English poetess, looking on
from Casa Guidi windows, gives the said Germans many hard words, and
thinks her darling Florentines entirely innocent in the matter. But if
she had had clear eyes, (yeux de lin [1] the Romance of the Rose calls
them,) she would have seen that white-coated cavalry with its heavy guns
to be nothing more than the rear-guard of young Frederick of Antioch;
and that Florence's own Ghibellines had opened her gates to them.
Destiny little regards cost of time; she does her justice at that
telescopic distance just as easily and accurately as close at hand.
[Footnote 1: Lynx.]
Public-domain text, read in full here on John Shaqi.
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