Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873 — John Shaqi
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
127. There is a beautiful "investment of capital" for your modern
merchant to study! No interest thought of, and little hope of ever
getting back the principal. And yet you will find that there were no
mercantile "panics," in Florence in those days, nor failing bankers,
[1] nor "clearings out of this establishment--any reasonable offer
accepted."
[Footnote: Some account of the state of modern British business in this
kind will be given, I hope, in some number of "Fors Clavigera" for this
year, 1874.]
128. But the second story, of a private Florentine citizen, is better
still.
In that campaign against Pisa in which the florins were struck on the
root of pine, the conditions of peace had been ratified by the surrender
to Florence of the Pisan fortress of Mutrona, which commanded a tract
of seaboard below Pisa, of great importance for the Tuscan trade. The
Florentines had stipulated for the right not only of holding, but of
destroying it, if they chose; and in their Council of Ancients, after
long debate, it was determined to raze it, the cost of its garrison
being troublesome, and the freedom of seaboard all that the city wanted.
But the Pisans feeling the power that the fortress had against them in
case of future war, and doubtful of the issue of council at Florence,
sent a private negotiator to the member of the Council of Ancients who
was known to have most influence, though one of the poorest of them,
Aldobrandino Ottobuoni; and offered him four thousand golden florins if
he would get the vote passed to raze Mutrona. The vote _had_ passed the
evening before. Aldobrandino dismissed the Pisan ambassador in silence,
returned instantly into the council, and without saying anything of the
offer that had been made to him, got them to reconsider their vote, and
showed them such reason for keeping Mutrona in its strength, that the
vote for its destruction was rescinded. "And note thou, oh reader,"
says Villani, "the virtue of such a citizen, who, not being rich in
substance, had yet such continence and loyalty for his state."
129. You might, perhaps, once, have thought me detaining you needlessly
with these historical details, little bearing, it is commonly supposed,
on the subject of art. But you are, I trust, now in some degree
persuaded that no art, Florentine or any other, can be understood
without knowing these sculptures and mouldings of the national soul. You
remember I first begun this large digression when it became a question
with us why some of Giovanni Pisano's sepulchral work had been destroyed
at Perugia. And now we shall get our first gleam of light on the matter,
finding similar operations carried on in Florence. For a little while
after this speech in the Council of Ancients, Aldobrandino died, and
the people, at public cost, built him a tomb of marble, "higher than any
other" in the church of Santa Reparata, engraving on it these verses,
which I leave you to construe, for I cannot:--
Public-domain text, read in full here on John Shaqi.
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