Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
Eagle, says Niccola, and not as symbol of St. John Evangelist only, but
behold! with prey between its claws. For the Gospel, it is Niccola's
opinion, is not altogether a message that you may do whatever you like,
and go straight to heaven. Finally, a slab of marble, cut hollow
a little to bear your book; space enough for you to speak from at
ease,--and here is your first architecture of Gothic Christianity!
25. Indignant thunder of dissent from German doctors,--clamour from
French savants. 'What! and our Treves, and our Strasburg, and our
Poictiers, and our Chartres! And you call _this_ thing the first
architecture of Christianity!' Yes, my French and German friends, very
fine the buildings you have mentioned are; and I am bold to say I love
them far better than you do, for you will run a railroad through any of
them any day that you can turn a penny by it. I thank you also, Germans,
in the name of our Lady of Strasburg, for your bullets and fire; and
I thank you, Frenchmen, in the name of our Lady of Rouen, for your new
haberdashers' shops in the Gothic town;--meanwhile have patience with me
a little, and let me go on.
26. No passion of fretwork, or pinnacle whatever, I said, is in this
Pisan pulpit. The trefoiled arch itself, pleasant as it is, seems
forced a little; out of perfect harmony with the rest (see Plate II.).
Unnatural, perhaps, to Niccola?
Altogether unnatural to him, it is; such a thing never would have come
into his head, unless some one had shown it him. Once got into his head,
he puts it to good use; perhaps even he will let this somebody else put
pinnacles and crockets into his head, or at least, into his son's, in
a little while. Pinnacles,--crockets,--it may be, even traceries. The
ground-tier of the baptistery is round-arched, and has no pinnacles;
but look at its first story. The clerestory of the Duomo of Pisa has no
traceries, but look at the cloister of its Campo Santo.
27. I pause at the words;--for they introduce a new group of thoughts,
which presently we must trace farther.
The Holy Field;--field of burial. The "cave of Machpelah which is before
Mamre," of the Pisans. "There they buried Abraham, and Sarah his wife;
there they buried Isaac, and Rebekah his wife; and there I buried Leah."
How do you think such a field becomes holy,--how separated, as the
resting-place of loving kindred, from that other field of blood, bought
to bury strangers in?
When you have finally succeeded, by your gospel of mammon, in making
all the men of your own nation not only strangers to each other, but
enemies; and when your every churchyard becomes therefore a field of the
stranger, the kneeling hamlet will vainly drink the chalice of God
in the midst of them. The field will be unholy. No cloisters of noble
history can ever be built round such an one.
Public-domain text, read in full here on John Shaqi.
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