Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
When Manfred fell at Benevento, his lieutenant, the Count Guido Novello,
was in command of Florence. He was just, but weak; and endeavoured
to temporize with the Guelphs. His effort ought to be notable to you,
because it was one of the wisest and most far-sighted ever made in
Italy; but it failed for want of resolution, as the gentlest and best
men are too apt to fail. He brought from Bologna two knights of the
order--then recently established--of joyful brethren; afterwards too
fatally corrupted, but at this time pure in purpose. They constituted
an order of chivalry which was to maintain peace, obey the Church, and
succour widows and orphans; but to be bound by no monastic vows. Of
these two knights, he chose one Guelph, the other Ghibelline; and under
their balanced power Gruido hoped to rank the forces of the civil,
manufacturing, and trading classes, divided into twelve corporations of
higher and lower arts. [1] But the moment this beautiful arrangement was
made, all parties--Guelph, Ghibelline, and popular,--turned unanimously
against Count Guido Novello. The benevolent but irresolute captain
indeed gathered his men into the square of the Trinity; but the people
barricaded the streets issuing from it; and Guido, heartless, and
unwilling for civil warfare, left the city with his Germans in good
order. And so ended the incursion of the infidel Tedeschi for this time.
The Florentines then dismissed the merry brothers whom the Tedeschi had
set over them, and besought help from Orvieto and Charles of Anjou; who
sent them Guy de Montfort and eight hundred French riders; the blessing
of whose presence thus, at their own request, was granted them on Easter
Day, 1267.
[Footnote: The seven higher arts were, Lawyers, Physicians, Bankers,
Merchants of Foreign Goods, Wool Manufacturers, Silk Manufacturers,
Furriers. The five lower arts were, Retail Sellers of Cloth, Butchers,
Shoemakers, Masons and Carpenters, Smiths.]
On Candlemas, if you recollect, 1251, they open their gates to the
Germans; and on Easter, 1267, to the French.
Public-domain text, read in full here on John Shaqi.
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