Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
264. I take farewell of him then, for a little time, ratifying to you,
as far as my knowledge permits, the words of my first master in Italian
art, Lord Lindsay.
"In comparing the advent of Niccola Pisano to that of the sun at his
rising, I am conscious of no exaggeration; on the contrary, it is the
only simile by which I can hope to give you an adequate impression of
his brilliancy and power relatively to the age in which he flourished.
Those sons of Erebus, the American Indians, fresh from their traditional
subterranean world, and gazing for the first time on the gradual
dawning of the day in the East, could not have been more dazzled, more
astounded, when the sun actually appeared, than the popes and podestas,
friars and freemasons must have been in the thirteenth century, when
from among the Biduinos, Bonannos, and Antealmis of the twelfth, Niccola
emerged in his glory, sovereign and supreme, a fount of light, diffusing
warmth and radiance over Christendom. It might be too much to parallel
him in actual genius with Dante and Shakspeare; they stand alone and
unapproachable, each on his distinct pinnacle of the temple of Christian
song; and yet neither of them can boast such extent and durability
of influence, for whatever of highest excellence has been achieved in
sculpture and painting, not in Italy only, but throughout Europe, has
been in obedience to the impulse he primarily gave, and in following up
the principle which he first struck out.
"His latter days were spent in repose at Pisa, but the precise year of
his death is uncertain; Vasari fixes it in 1275; it could not have been
much later. He was buried in the Campo Santo. Of his personal character
we, alas! know nothing; even Shakspeare is less a stranger to us. But
that it was noble, simple, and consistent, and free from the petty
foibles that too frequently beset genius, may be fairly presumed from
the works he has left behind him, and from the eloquent silence of
tradition."
265. Of the circumstances of Niccola Pisano's death, or the ceremonials
practised at it, we are thus left in ignorance.
Public-domain text, read in full here on John Shaqi.
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