United States -- Social life and customs -- 19th century -- Fiction
Van Bibber put his cigar into a tumbler and stepped out into the
wings. They were crowded on both sides of the stage with the members
of the company; the girls were tiptoeing, with their hands on the
shoulders of the men, and making futile little leaps into the air to
get a better view, and others were resting on one knee that those
behind might see over their shoulders. There were over a dozen
children before the footlights, with the prima donna in the centre.
She was singing the verses of a song, and they were following her
movements, and joining in the chorus with high piping voices. They
seemed entirely too much at home and too self-conscious to please Van
Bibber; but there was one exception. The one exception was the
smallest of them, a very, very little girl, with long auburn hair and
black eyes; such a very little girl that every one in the house
looked at her first, and then looked at no one else. She was
apparently as unconcerned to all about her, excepting the pretty prima
donna, as though she were by a piano at home practising a singing
lesson. She seemed to think it was some new sort of a game. When the
prima donna raised her arms, the child raised hers; when the prima
donna courtesied, she stumbled into one, and straightened herself just
in time to get the curls out of her eyes, and to see that the prima
donna was laughing at her, and to smile cheerfully back, as if to say,
"_We_ are doing our best anyway, aren't we?" She had big, gentle eyes
and two wonderful dimples, and in the excitement of the dancing and
the singing her eyes laughed and flashed, and the dimples deepened and
disappeared and reappeared again. She was as happy and innocent
looking as though it were nine in the morning and she were playing
school at a kindergarten. From all over the house the women were
murmuring their delight, and the men were laughing and pulling their
mustaches and nudging each other to "look at the littlest one."
The girls in the wings were rapturous in their enthusiasm, and were
calling her absurdly extravagant titles of endearment, and making so
much noise that Kripps stopped grinning at her from the entrance, and
looked back over his shoulder as he looked when he threatened fines
and calls for early rehearsal. And when she had finished finally, and
the prima donna and the children ran off together, there was a roar
from the house that went to Lester's head like wine, and seemed to
leap clear across the footlights and drag the children back again.
"That settles it!" cried Lester, in a suppressed roar of triumph. "I
knew that child would catch them."
There were four encores, and then the children and Elise Broughten,
the pretty prima donna, came off jubilant and happy, with the Littlest
Girl's arms full of flowers, which the management had with kindly
forethought prepared for the prima donna, but which that delightful
young person and the delighted leader of the orchestra had passed over
to the little girl.
Public-domain text, read in full here on John Shaqi.
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