But Vandover made another fatal mistake: the brute in him had only been
stunned; the snake was only soothed. His better self was as sluggish as
the brute, and his desire of art as numb as his desire of vice. It was
not a continued state of inaction and idleness that could help him, but
rather an active and energetic arousing and spurring up of those better
qualities in him still dormant and inert. The fabric of his nature was
shaken and broken up, it was true, but if he left it to itself there was
danger that it would re-form upon the old lines.
And this was precisely what Vandover did. As rapidly as ever his pliable
character adapted itself to the new environment; he had nothing to do;
there was lacking both the desire and necessity to keep him at his
easel; he neglected his painting utterly. He never thought of attending
the life-class at the art school; long since he had given up his
downtown studio. He was content to be idle, listless, apathetic, letting
the days bring whatever they chose, making no effort toward any fixed
routine, allowing his habits to be formed by the exigencies of the hour.
He rose late and took his breakfast in his room; after breakfast he sat
in his window-seat, reading his paper, smoking his pipe, drinking his
coffee, and watching the women on their way downtown to their morning's
shopping or marketing. Then, as the fancy moved him, he read a novel,
wrote a few letters, or passed an hour in the studio dabbling with some
sketches for the "Last Enemy." Very often he put in the whole morning
doing pen and inks of pretty, smartly dressed girls, after Gibson's
manner, which he gave away afterward to his friends. In the afternoon he
read or picked the banjo or, sitting down to the little piano he had
rented, played over his three pieces, the two polkas and the air of the
topical song. At three o'clock, especially of Wednesday and Saturday
afternoons, he bestirred himself, dressed very carefully, and went
downtown to promenade Kearney and Market streets, stopping occasionally
at the Imperial, where he sometimes found Ellis and Geary and where he
took cocktails in their company.
He rarely went out in the evenings; his father's death had changed all
that, at least for a while. He had not seen Turner Ravis nor Henrietta
Vance for nearly two months.
Vandover took his greatest pleasure while in his new quarters, delighted
to be pottering about his sitting-room by the hour, setting it to
rights, rearranging the smaller ornaments, adjusting the calendar,
winding the clock and, above all, tending the famous tiled stove.
Public-domain text, read in full here on John Shaqi.
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