In his idleness he grew to have small and petty ways. The entire day
went in doing little things. He passed one whole afternoon delightfully,
whittling out a new banjo bridge from the cover of a cigar-box, scraping
it smooth afterward with a bit of glass. The winding of his clock was
quite an occurrence in the course of the day, something to be looked
forward to. The mixing of his tobacco was a positive event and
undertaken with all gravity, while the task of keeping it moist and ripe
in the blue china jar, with the sponge attachment, that always stood on
the bamboo tea-table by the Japanese screen, was a wearing anxiety that
was yet a pleasure.
It became a fad with him to do without matches, using as a substitute
"lights," tapers of twisted paper to be ignited at the famous stove. He
found amusement for two days in twisting and rolling these "lights,"
cutting frills in the larger ends with a pair of scissors, and stacking
them afterward in a Chinese flower jar he had bought for the purpose and
stood on top of the bookcases. The lights were admirably made and looked
very pretty. When he had done he counted them. He had made two hundred
exactly. What a coincidence!
But the stove, the famous tiled stove with flamboyant ornaments, was the
chiefest joy of Vandover's new life. He was delighted with it; it was so
artistic, so curious, it kept the fire so well, it looked so cheerful
and inviting; a stove that was the life and soul of the whole room, a
stove to draw up to and talk to; no, never was there such a stove! There
was hardly a minute of the day he was not fussing with it, raking it
down, turning the damper off and on, opening and shutting the door,
filling it with coal, putting the blower on and then taking it off
again, sweeping away the ashes with a little brass-handled broom, or
studying the pictures upon the tiles: the "Punishment of Caliban and His
Associates," "Romeo and Juliet," the "Fall of Phaeton." He even
pretended to the chambermaid that he alone understood how to manage the
stove, forbidding her to touch it, assuring her that it had to be coaxed
and humoured. Often late in the evening as he was going to bed he would
find the fire in it drowsing; then he would hustle it sharply to arouse
it, punching it with the poker, talking to it, saying: "Wake up there,
you!" And then when the fire was snapping he would sit before it in his
bathrobe, absorbing its heat luxuriously and scratching himself, as was
his custom, for over an hour.
But very often in the evening he would have the boys, Ellis, Geary, and
young Haight, up to a little improvised supper. They would bring home
_tamales_ with them, and Vandover would try to make Welsh rabbits, which
did not always come out well and which they oftentimes drank instead of
ate. Ellis, always very silent, would mix and drink cocktails
continually. Vandover would pick his banjo, and together with young
Haight would listen to Geary.
Public-domain text, read in full here on John Shaqi.
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