"Oh, I don't know," said Vandover after a while, as he settled to his
drawing. "She was pretty common, but anyhow I don't want to help bring
down a poor girl like that any lower than she is already." This saying
struck Vandover as being very good and noble, and he found occasion to
repeat it to young Haight the next day.
But within three days of this, at the time when Vandover would have
fancied himself farthest from such a thing, he underwent a curious
reaction. On a certain evening, moved by an unreasoned instinct, he
sought out the girl who had just filled him with such deep pity and such
violent disgust, and that night did not come back to the room in
Matthew's. The thing was done almost before he knew it. He could not
tell why he had acted as he did, and he certainly would not have
believed himself capable of it.
He passed the next few days in a veritable agony of repentance,
overwhelmed by a sense of shame and dishonour that were almost feminine
in their bitterness and intensity. He felt himself lost, unworthy, and
as if he could never again look a pure woman in the eyes unless with an
abominable hypocrisy. He was ashamed even before Geary and young Haight,
and went so far as to send a long letter to his father acknowledging and
deploring what he had done, asking for his forgiveness and reiterating
his resolve to shun such a thing forever after.
What had been bashfulness in the boy developed in the young man to a
profound respect and an instinctive regard for women. This stood him in
good stead throughout all his four years of Harvard life. In general, he
kept himself pretty straight. There were plenty of fast girls and lost
women about Cambridge, but Vandover found that he could not associate
with them to any degree of satisfaction. He never knew how to take them,
never could rid himself of the idea that they were to be treated as
ladies. They, on their part, did not like him; he was too diffident, too
courteous, too "slow." They preferred the rough self-assertion and easy
confidence of Geary, who never took "no" as an answer and who could
chaff with them on their own ground.
Vandover did poor work at Harvard and only graduated, as Geary said, "by
a squeak." Besides his regular studies he took time to pass three
afternoons a week in the studio of a Boston artist, where he studied
anatomy and composition and drew figures from the nude. In the summer
vacations he did not return home, but accompanied this artist on
sketching tours along the coast of Maine. His style improved immensely
the moment he abandoned flat studies and began to work directly from
Nature. He drew figures well, showed a feeling for desolate landscapes,
and even gave promise of a good eye for colour. But he allowed his
fondness for art to interfere constantly with his college work. By the
middle of his senior year he was so loaded with conditions that it was
only Geary's unwearied coaching that pulled him through at all--as
Vandover knew it would, for that matter.
Public-domain text, read in full here on John Shaqi.
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