Ida Wade belonged to a certain type of young girl that was very common
in the city. She was what men, among each other, called "gay," though
that was the worst that could be said of her. She was virtuous, but the
very fact that it was necessary to say so was enough to cause the
statement to be doubted. When she was younger and had been a pupil at
the Girls' High School, she had known and had even been the companion of
such girls as Turner Ravis and Henrietta Vance, but since that time
girls of that class had ignored her. Now, almost all of her
acquaintances were men, and to half of these she had never been
introduced. They had managed to get acquainted with her on Kearney
Street, at theatres, at the Mechanics' Fair, and at baseball games. She
loved to have a "gay" time, which for her meant to drink California
champagne, to smoke cigarettes, and to kick at the chandelier. She was
still virtuous and meant to stay so; there was nothing vicious about
her, and she was as far removed from Flossie's class as from that of
Turner Ravis.
She was very clever; half of her acquaintances, even the men, did not
know how very "gay" she was. Only those--like Vandover--who knew her
best, knew her for what she was, for Ida was morbidly careful of
appearances, and as jealous of her reputation as only fast girls are.
Bessie Laguna was her counterpart. Bessie was "the girl she went with,"
just as Henrietta Vance was Turner's "chum" and Nannie was Flossie's
"running-mate."
Ida lived with her people on Golden Gate Avenue not far from Larkin
Street. Her father had a three-fourths interest in a carpet-cleaning
establishment on Howard Street, and her mother gave lessons in painting
on china and on velvet. Ida had just been graduated from the normal
school, and often substituted at various kindergartens in the city. She
hoped soon to get a permanent place.
Vandover arrived at Ida's house that night at about eight o'clock in the
midst of a drenching fog. The parlour and front room on the second floor
were furnished with bay windows decorated with some meaningless sort of
millwork. The front door stood at the right of the parlour windows. Two
Corinthian pillars on either side of the vestibule supported a balcony;
these pillars had iron capitals which were painted to imitate the wood
of the house, which in its turn was painted to imitate stone. The house
was but two stories high, and the roof was topped with an iron cresting.
There was a microscopical front yard in which one saw a tiny gravel
walk, two steps long, that led to a door under the front steps, where
the gas-meter was kept. A few dusty and straggling calla-lilies grew
about.
Public-domain text, read in full here on John Shaqi.
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