He was allowed to have a drawing teacher. This was an elderly German, an
immense old fellow, who wore a wig and breathed loudly through his nose.
His voice was like a trumpet and he walked with a great striding gait
like a colonel of cavalry. Besides drawing he taught ornamental writing
and engrossing. With a dozen curved and flowing strokes of an ordinary
writing pen he could draw upon a calling card a conventionalized
outline-picture of some kind of dove or bird of paradise, all curves and
curlicues, flying very gracefully and carrying in its beak a half-open
scroll upon which could be inscribed such sentiments as "From a Friend"
or "With Fond Regards," or even one's own name.
His system of drawing was of his own invention. Over the picture to be
copied he would paste a great sheet of paper, ruling off the same into
spaces of about an inch square. He would cut out one of these squares
and Vandover would copy the portion of the picture thus disclosed. When
he had copied the whole picture in this fashion the teacher would go
over it himself, retouching it here and there, labouring to obviate the
checker-board effect which the process invariably produced.
At other times Vandover copied into his sketch-book, with hard crayons,
those lithographed studies on buff paper which are published by the firm
in Berlin. He began with ladders, wheel-barrows and water barrels,
working up in course of time to rustic buildings set in a bit of
landscape; stone bridges and rural mills, overhung by some sort of
linden tree, with ends of broken fences in a corner of the foreground to
complete the composition. From these he went on to bunches of grapes,
vases of fruit and at length to more "Ideal heads." The climax was
reached with a life-sized Head, crowned with honeysuckles and entitled
_"Flora."_ He was three weeks upon it. It was an achievement, a
veritable _chef-d'oeuvre._ Vandover gave it to his father upon Christmas
morning, having signed his name to it with a great ornamental flourish.
The Old Gentleman was astounded, the housekeeper was called in and
exclaimed over it, raising her hands to Heaven. Vandover's father gave
him a five-dollar gold-piece, fresh from the mint, had the picture
framed in gilt and hung it up in his smoking-room over the clock.
Never for a moment did the Old Gentleman oppose Vandover's wish to
become an artist and it was he himself who first spoke about Paris to
the young man. Vandover was delighted; the Latin Quarter became his
dream. Between the two it was arranged that he should go over as soon as
he had finished his course at the High School. The Old Gentleman was to
take him across, returning only when he was well established in some
suitable studio.
At length Vandover graduated, and within three weeks of that event was
on his way to Europe with his father. He never got farther than Boston.
Public-domain text, read in full here on John Shaqi.
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